Author Archives: Shannon Barber

About Shannon Barber

I am a strange little woman who likes pie.

What the Writer Really Dreams about.

I have been spending a lot of time studying different ways of making income and whatnot.

I’ve come to a few conclusions.

Unlike some of my favorite people I am just not, uh, gifted in the ways of entrepreneurship. Not for a total lack of trying. I personally just find a lot of the process and education and doing of it energy draining and tedious and not enjoyable.

I am not really a business person on that level and I’m finally not punishing myself for it and realizing that I’m just not one of those people.

That is liberating.

Liberating but disappointing. I’d really love to have the emotional/physical energy and thing necessary to write and do that type of hustle. I don’t.

I was talking to a friend recently about stuff like wealth and what that would look like for me.

What does the writer really dream about in terms of the big shiny writer life?

I’ve touched on it before, but my viewpoint has shifted.

I don’t actually dream of ever being like mega rich. That seems excessive to me. I don’t need it.

What do I need?

Rental increases to not spin me into a state of panic and terror. As of the end of the month I will be spending 41% of my income a month to have a place to live. I’m paying gentrification prices for a building with some shitty repainting and ugly “updates”. It is still in the hood. I have pictures, but imagine recently repainted stairwell where the painters didn’t bother to fix a hole that’s been in the wall for three years, the windows weren’t open so the whole shebang smells like smelly balls and vinegar, the outside lights aren’t on half the time. The place is dirty as fuck in common areas because I don’t know why.

I don’t even have direct bus access anymore.

This is the fucking hood. And I’m paying- well, that’s a whole other thing. But yeah, I’m not happy, but like most poor folks I can’t afford to move. I can’t afford to move closer to work because nobody would rent us at this level and we cannot live in a studio or glorified SRO. So yeah. In that dream life, I can pay my rent without that depth of terror.

What next?

I want to eat what I want when I want. We want sushi? We want my favorite chicken dish from our favorite Thai spot? Yes.

I want to go to the store before I go to work and if I want to buy a veggie party plate (my Safeway has these 5$ ones that are the mother fucking bomb) and some popcorn, I don’t want to be scared I’ve overindulged and fucked money for the rest of the month.

I would like to be able to afford a PO box so I can stop being afraid if I get sent money to my house or I buy a purse that it won’t get stolen.

I want to be able to afford to have a desk at a place like this a day or so a month.

Essentially, I want to have economic insecurity, not be such an up front thing.

I haven’t done the exact maths but it wouldn’t take all that much more money in general. That’s what tends to frustrate me so much.

Really in a perfect world, I’d be able to work a well paying day job enough to pay basic bills and make the rest writing and side hustling.

What else?

I’m doing pretty well moving my personal expenses and entertainment and self-care budgets out of the household budget. The rent increase convinced me to move over my phone bill.

So we know what I dream of. Pretty simple living above the poverty line and able to go out to a nice dinner with my partner when I want to or buy some shoes.

Given that financial circumstances have changed I’ve had to rethink some of my savings/money makings. Closing the lit section of my Etsy shop is kinda killing me in a lot of ways and has been fucking with my belief that I can sell literature of any kind. So that’s something I have to process.

This all intersects with writing because as I’ve said before poverty is not romantic. It’s hard to create your best work when you’re panicking about the rent and food and everything else. It’s debasing to try and write a beautiful, wonderful book when, you’re worried you won’t be able to keep your partner in the medication they need.

I’ve learned that even though I am light-years beyond the trauma of being afraid to buy tampons for fear the rent might bounce, that kind of economic trauma is still a profound thing in my life. And I can’t create when I’m deep in it.

I’ve also learned that as terrified as I get I can still get through and make good decisions.

I am not sure what this all means for this year. Maybe I will be able to make the thing I’ve been working on in super seekrit a real thing.

I might just figure something else out.

Who knows.

What I do know is that some of my writer dream things are in reach some aren’t and that’s okay.

So here’s to keeping myself in tech, phone service and lipsticks with writer money.

Tomorrow I’ll do a new master post on ways to help support my work.

For now I’m gonna go try to write some other stuff.

Theory Vs Reality The Artist Ruminating on Money

I’m dealing with some shit, a pile of it and it’s got me thinking.

I’ve been studying and researching for a project I’d really like to launch this year. I’ve been pricing cameras, querying some folks, doing a shitload of math.

In theory, said Super Seekrit project could be amazing.

In theory, my recent study of business and whatnot would start paying off in 3-5 months or so.

In theory my savings schemes would flower into a delicious little blossom made of cash and I would be able to pay for Super Seekrit Project materials and start it happening.

In reality.

Including freelance and book sales I made about 5K less than I did last year.

That makes me feel like the worst bread winner ever.

I am going to be spending almost half of my income to have a place to live. I’m trying to process paying nice place to live prices for where I live.

I’m thinking about my seemingly gangster at the time decision to go to AWP and feeling like it was a fuck up. I’m going still, I’ve come too far with the gifts and fundraising to not go. But I booked zero readings. And am very, uh, uncertain about being able to sell enough little zines of printed stuff that nobody wanted to buy in eformat for less money.

In theory (as in, my self image) says that I can do the 12 hour day job days (all in with my commutes), get home. Work on writing stuff until 2-4 AM. Eat, bathe, sleep by 6 up by 10 AM and be fine.

I used to be that person.

I’m not anymore. Reality says that my fatigue and other health issues both mental and physical aren’t things I can just put my head down and bull through.

Reality tells me that my Super Seekrit project could be SO fucking cool and satisfying to me on a deep level, but, but but but- given how things have shifted in my life, could I really get into it and make it great?

I don’t know.

On one hand, I can crunch the available data and make a dry decision. Fuck the Etsy shop for my writing, Super Seekrit Project on the back burner, I can redo my budget- those decisions I can make dry. No blood.

On the other hand the wet decisions aren’t so easy. Is this another year I stare longingly at poems and don’t do a real chapbook? Am I going to regress in how I deal with the emotional impact of poverty shame? How much do I push? What do I sacrifice to try and make that money?

The cognitive dissonance involved in knowing I’m doing some really great work, but that doing it is a detriment to me bringing in more monies is hard.

Knowing that continuing to write what the fuck I want is a detriment to my bank account.

Understanding myself and how I work and produce the best work I can is a detriment to my bank account.

And I don’t like that shit.

I dunno.

At the moment I’m okay. Emotionally speaking I’m a little dull because of my two months of anxiety hell. I feel the weight but I’m calmish. I know how to do this part. I know how to hustle and grind.

I suppose most of this is my need to document and disclose. Y’all this shit ain’t a room of her own.

Now a little promo.

If you want to buy some lit, go on and get it at my etsy shop. Add everything to your cart and use the coupon code WORDSWORDSWORDS to get a lil tasty discount. Keep your eye out for crocheted items, later this year some jewelry.

My AWP fundraiser is still going and has been updated with some news and what else I still need. If you are gonna be there, keep your eye out for me I will have some lil fiction zines in my purse for sale and if the stars align a card reader in case you don’t have cash.

What else?

Not much else my friends. I’m working like a motherfucker.

I’ve been hiding from most of my friends, which isn’t cool, but most of them understand the level of my anxiety and not okayness.

I am figuring it out. Modifying some of my bucketlist arty shit so I can do it and not want to die in a month because I’ve burned myself out.

Now I love you all. I hope all your arty endevours and bucketlist shit is happening.

Welcome To the Pit Mother Fucker.

Someone I know asked me recently what I would say to baby me about writing and publishing as a Black woman who has a lot of loud mouth opinions and who deploys them at will.

There is a Hed(pe) song where the dude says,

“Welcome to the Pit Mother Fucker.”

I am pretty sure that covers it. When I was a baby writer, I did not express my actual opinions on industry business. I fully believed that if The Industry found out how I felt about a lot of publishing and writing shenanigans.

I lurked industry boards and saw the racism and sexism. I gently tried to engage with White writers and other industry folks in my gentlest, sweetest Negress way about their racism.

Y’all, I tried.

I did workshop type things and kept my opinions about Magical Negroes and other terrible things to myself. I whitewashed characters, I didn’t share stories that did not cater to Whiteness.

I remember once talking to an older White lady author who told me that I was doing the right thing. That, to keep my “radical” (YES she said that, I remember it clearly) and “militant” thoughts to myself so as not to alienate the folks in power.

I thought it would lead to more publication, more visibility. Money! Recognition! Respect!


But not really.

What happened was I was not writing the shit that moves me.

I felt frustrated, trapped, invisible and the worst, the very fucking worst part was that I felt like I was contributing to my own oppression with no pay off.

I was pretty miserable.

And then at some point after someone threatened to tell my dayjob that at the time I was writing custom smut for weirdo fetishists I decided to stop giving any fucks.

All of this is on my mind because last night I was doing research and working on some of my indie writer hustles and I came to a few conclusions.

  1. I just do not have the energy to promote things as hard as I need to in order to make my indie writer hustles financially viable. Likely if I didn’t work full time with the commute and whatnots, I would but that’s not gonna be a thing.
  2. The above being what it is, I’m cutting down on side hustles. It hurts my soul to lose the potential of that side hustle cash, but my fatigue is getting worse and there’s not a lot I can do about it at this point.
  3. I’m not putting stuff out by myself anymore. It’s been a losing venture and cost more time and money than it’s been worth.

Okay, I’ll stop there because #3 is important.

I decided to pull the lid from Etsy because frankly, it takes a while per piece, to get it ready make the cover and frankly nobody buys the shit. I know it’s not the prices really, but yeah. I do feel a bit sad, but whatever fuck it. I don’t know if I’ll just post them for free or what I’m gonna do.

So if you’ve wanted a thing from the Etsy shop, now is the time. I’m pulling all the lit stuff at the end of February. Go here.  I was going to do a huge price slash per item but it made me feel shitty. SO if you add all 8 pieces, (for a grand total of 17$) then use the coupon code WORDSWORDSWORDS that’ll net you a sweet little discount and put your total at 15.75$.

I have been convinced to not close the shop all together and start putting out some of my crocheted items. Shawls and scarves. Maybe my tactile stim objects. That’ll be a while yet.

I am going to focus more of my energy on producing stuff. Writing new stuff. Maybe doing a Queen Poems chapbook this year. My grand experiment in essentially rage quitting the publishing industry and only publishing either myself, with Milcah or in super select venues hasn’t been a real win for me.

A lot of that is largely due to #1 up on that list as well as, it’s just not my skill set to do it all indie and not feel like I’m wasting precious time energy and money.

I had a come to Jesus moment with myself about what kind of support my work gets and when and whether or not it’s enough to support my indie DIY ways. Frankly, it’s not.

Last time I had this out with myself, I decided I just wasn’t good enough (this was just a couple of months ago, well a few more than that it was post SCLAB release) and I really felt like my body of work was/is something I should be ashamed of because obviously if I was better at writing, marketing, rewriting, doing things the way I am supposed to- everything would be successful.

That might be true. Some of it or all of it, I don’t know.

What I do know is that me  punishing the fuck out of myself for failing so hard, SO fucking hard did not contribute to shit.

So I’m not doing that.

Changes is coming.

Dear Shannon,

Welcome to the Pit Mother Fucker.




Yeah Write #250-Name. A Name. A Shadow.

Name. A Name. A Shadow.


Shannon Barber

This is my last work as a Professori. I can feel my mind slipping into the eventual madness that takes us all. The nightmares have started, I hear myself dryly describing the things I record as they tear me apart or burn me alive. On waking I see the Shadows standing watching me from every dark corner. I obsessively study the diaries of the Professori who have gone before, desperate for anecdotal evidence of the inevitable decline.


I think I have four, maybe six months left. No one knows quite what happens to us. Our bodies are never found, we are never reported missing. If we have families they know the lore and that someday we will just be gone. When the madness begins, we say our goodbye’s and inhabit our remaining days like ghosts. I chose to have no family. I can only say goodbye to my books and my works.

I hate this.

It was my job to know. To record. To contribute to a very particular zeitgeist. I admit, I don’t want it to end in madness and mystery.


Write- to write so hard. Time short. Coming, it comes. No read, can’t read. Goodbye book.

I don’t know how long been. Leaves are turn, Shadow touch and whisper. I try- try remember my work. Yes, my work I did this work and record and wish to see The World I


Shadow come. I had a name a name a name oh please please what name? Name? Name like Sasha? Sarah? Mine? Please a name. Shadow? Shadow a name? Shadow please?


I hear now. They come. They come and reach from inside the shadow behind, behind the what? Name? Names is gone. Gone. Dark. Dark, world gone dark Shadow.



Shadow Shadow Shadow Shadow Shadow s-

Recovery team note in the diary of Professori Ana Pasquale.

She was right. Like the others there was no body. Only the final emptiness of a small house blazing with light and reeking with the remnants of madness. Her last writings were only a page and only The World will know. Only the Shadows and Shadows covet their secrets.

Go now Professori.




This one was not inspired by the inspiration pic, but by the header pic on the Fiction/Poetry post AND the inspo line “Seven hours left of the day and it’s only Tuesday.”

Further on Racial Uplift and Space.

As promised on facebooks I want to follow up this post .

I want to talk first about the feelings of conflict I still have. On one hand, I am still thirsty and desperate for solidarity with other Black people. A large part of that is trauma based in the fact that I had zero Black folks community growing up. Yes, I had family but most of my Black family I didn’t see often.

I spent time in my early 20s venturing into the POC neighborhoods and looking for that solidarity. I went to some community meetings, I went to see some speakers. Unfortunately, I did not really get to talk to folks. I showed up, gothy self in full effect. Loudly out Queer, concerned with the undesirables talking about drug addicts, sex workers, etc. And that did not fit the prescribed narrative of who deserved help and solidarity.

One time sticks out in my brain. I showed up to a talk about various peer to peer community help type thing. I spoke to one of the head dudes about the sex ed curriculum I was developing for young people with a focus on high school age kids, street kids and sex workers. I was so hype for the chance to get some help producing printed materials or getting space.

Now, even though the meeting was in a church I did not realize it was essentially a church approved. I talked passionately about the diaspora and all the dude said was, “you pronounced diaspora wrong” and walked away.

That describes in spirit a lot of my early interactions with the larger Black community. I was pretty bitter about it for a long time and for a minute decided well fuck Black folks.

I stopped that thought, but it was really terrible for me.

Those experiences are what seeded my thoughts about racial uplift.

I had to untangle the why of it and the how of it. The reality is that in a culture that absolutely devalues everything Black until White culture absorbs it until they are tired of it, racial uplift is important.

Everybody wants to be a nigga..etc see Paul Mooney talk about that here.

America loves Blackness until it is attached to an actual Black person.

When I realized that, I realized that while it hurt(s) my heart it is a direct result of White supremacy, racism and the very human need for hope.

For many Black folks, there is so little representation that we scramble and grab at whatever we get. Inside of that action, we start to find the gold. The Uplift. The Maya Angelou’s (but we can’t talk about her history as a sex worker). We buy into the idea that if we can just be better Negroes, if we only hold up our icons who have their pants pulled up and don’t use AAVE, who don’t look thuggish- that is the path to our salvation.

And there we see the failure of respectability politics and where a narrow idea of Racial Uplift falls apart.

This model by showing the shiny White Approved- no, not approved let’s be real tolerated (until they aren’t) icons fails because we’re human and humans are flawed and multifaceted.

Now we come to how I’ve healed myself in regard to that feeling of rejection from my own community.

My hope is wider.

My hope is that as we steam into the future, racial uplift can be expanded to those of us who aren’t “positive”, who aren’t putting on a good face for Whiteness, who are Queer, who are not religious, who are hood as fuck, who are poor, who are trans, who produce art that is disturbing and strange.

Blackness is so hugely beautifully diverse in how we express it, live it, make art in it and about it.

Blackness is so precious because even though not all skinfolk are kinfolk, we don’t have to be kinfolk.

Blackness built an American culture in ways that a lot of people might heavily mourn if it weren’t for us.

Blackness has taught America how to protest.

Blackness is my life. And there is space in the diaspora, in the creative diaspora for me and for you.

At this age and point in my creative life I’m at peace with this. It doesn’t burn my heart when a Black folks thing doesn’t necessarily need my flavor of art but they appreciate it.

I do think that we have a lot of work to do in terms of how we as a people start dismantling racial uplift in the context of putting on that Good Negro dance for Whiteness.  That said, I also believe that we can change that part of our culture and get beyond it.

So there you have it.



On Racial Uplift and space.

I’ve had this on my mind for a while. This is something that bothers me and makes me feel somewhat conflicted.

For background, if you’ve read any of my work at all, y’all know I don’t really go in for racial uplift. If you don’t know what that means, very basically I’m talking about providing “positive” images of, stories about, and work about Black folks in my case. For some extra background this is a good place to start. 

When I was a lil baby writer, I tried very hard to work in the mode of racial uplift. For a while I stopped writing kinky fisting porn and overwrought vampire stories and tried to emulate the Wise Black Women writers who went before me. I wanted to write something like Phenomenal Woman, The Color Purple, The Bluest Eye- I remember writing in my journal fantasies about writing something that would set off a cultural bomb and fit into my ideas of racial uplift and what sort of Black writer I was supposed to be.

Given that all my writing at that time was done in absolute secret, by hand in notebooks I filled then destroyed. I wish I hadn’t, but that’s a whole other entry.

What I was doing during those years say about 16-20ish was desperately trying to discipline myself away from my porny, bloody, dark leanings and into the light. Into the Wise Black Woman ideal. Along with that I tried very hard to stop enjoying “bad” Black folks things.

I stopped watching Yo MTV raps, tried not to like any of my favorite rappers. I tried to glue some respectability to myself and my entertainment because it’s what I thought I was supposed to do.

I don’t want to get too deep into respectability politics but in my experiences those and racial uplift often occupy the same space.

So moving along.

I eventually grew out of that phase after a buttload of growing pains. And when I started seriously working on being published etc my first/strongest instincts led me to some magazines for Black folks.

However, being that I am who I am and the things I like to write I had a very hard time finding places to fit.

I remember sitting going through submission guidelines and ticking off all of the things I did in my work that were a problem. My horror had a hard time finding a home. My earliest non-fiction stories were mostly about things I liked then: being a Goth, going to punk shows/rock shows and my experience being an Alt oriented Black person in Seattle.

An aside. I remember I didn’t know how to write personal essays at that age. I didn’t know they were a thing and I wrote my non-fiction like school essays. I wish I had some now to look at.

Remember, I didn’t have Duotrope or the google machine. I had library copies of Poets & Writers, the occasional Black folks magazine. I can’t say I didn’t swing for the fences. I submitted to Ebony and Essence both. I also submitted to small Black folks lit zines and found that my work was not “positive” enough, my experiences being an Alt Black person were at that time (the 90s remember) too weird and exotic.

Fast forward to the last ten or so years and I observe a lot of the same thing.

I’ve worked with some folks who were very very kind about our difference of opinion about what voices and stories get to be told.

I’ve also worked with some folks who were violently opposed to my work because it is not generally “positive”.

What boggles me is that if we step back and look at the diaspora, there is space for all of us. There is such a rich diversity of Blackness and the expressions of Blackness, why are we still tryin to shuck and jive and present a happy face?

There are times when I see this in Black folks zines and can’t help but think that they are presented for the White gaze. And it makes me sad.

My fondest wish for us is that we can stop doing that.

I want us to feel safe in creating work that is not made to make White folks feel good.

I want hoodrat graffiti artists and fine artists and animators and rappers and violinists and country singers and battle rappers and love poets and resistance writers and Queers and disabled Black folks and trans Black folks and ALL of us to know that there’s space for us. All of us.

We can tell hood stories that don’t revolve around White saviors, sports scholarships, morality tales or redemption stories.

We can do these things and we all need to be about that life.

I’m not saying all Black folks things must include ALL Black folks experiences because that would be impossible. I’m saying, it’s possible to be open to things that don’t fit neatly into a racial uplift narrative.

We can read things that don’t fit that narrative.

I fully believe that in expanding our world and acceptance of the world intraracially, even problematic shit we can be better able to face the rest of the world that often hates us.

As we get closer to The Most Racist Time Of The Year (sung to the tune of The most wonderful time of the year Christmas song) let me remind White folks that not everything is yours. You can do your own research if you want to know more about what I’m laying down here. And your opinion on intraracial matters is never needed.

On Discomfort and Being Freaked Out.

OH Internets.

I’m still sick and at work doing some stuff and I have more confessions to make.

Craft related.

Sooo along with my general failures in accomplishing a lot of things I’ve also found myself in a very uncomfortable place with some of my work.

I’ve talked a bit about how hard it has been for me to teach myself how to write really personally. Not issue personally, not politic personal. The real naked, vulnerable Shannon personal.

I’m so uncomfortable.

Writing wise, my emotions are just right here. Bleeding all over while I sit in my chair at home or work quivering because I’m still having a deep anxiety problem and quivering because I just told y’all that.

After so many years of writing about somewhat personal shit, being fat, feminism, racism and how they’ve impacted my life but for as close to the bone as I’ve gotten with that, a lot of my new stuff is closer in ways that might be all in my head.

It’s been really fucking hard. And because I am who I am I worry a lot about things such as but not limited to:

  • If I’m not ranting or raving or pissed off does anyone give a shit?
  • Will anyone buy shit?
  • I know most trolling I can write off. But what if it’s really personal beyond OMG WE HATE THIS BLOGGER NOW SHE WRITES FOR A SITE WE HATE.
  • Who the fuck am I kidding?
  • I am not a real memorist.


My general approach to fear in my work and often in my life (sometimes to my own detriment) is to put on my spiritual football helmet, put my head down and go.

However while I’m going, I’m also spending a lot of time staring at whatever I’ve just written talking to myself:

Me: The fuck did you just say?

Me: Uh, the thing I’m writing.

Me: Can you delete that please?

Me: No.


and it devolves into me sitting sweating swearing at myself.

But, I still write it.

And right now I have to go upload one of the things that has caused me bubble guts, sweating, trembling and cursing at self.

And I’m feeling echoes of this across other things.

I’m excited, but a little bit on the shit my pants in terror side of things too.

Now goodnight shiny people.




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