So I am Writing some High Fantasy

I finally restarted working on the high fantasy story I’ve been kicking around and wanting to drown for a while.

When I say high fantasy, I’m using the term in the context of- actually let me slow my roll. I think what I’m doing is an amalgam of swords n sorcery, high fantasy, with a taste of magic, hint of religion and myth. BUT that said, I’ll just say fantasy for now.

We don’t have to be fancy here.

I haven’t touched this story for months. I’ve not been writing a lot of fiction of late. I am very amused by how I’m writing fiction these days. Back in the day, I’d have an idea and BANG BANG BANG 4-5 K done. These days, I’m so interested in exploring particular things in my fiction it just takes me for fucking ever to write it.

I have this ever growing list of things I want to explore in different ways in my fiction. What started out as notes to help me remember (sleep disorders have properly fucked up my memory) has turned into a low key way of doing some plotting and at a glance I’ve been moving those ideas around in terms of what genres I want to play with them in.

Now on to the story at hand.

The working title is Cat Rules Queen. I had an entirely different version done that I hated so I started over. Here is what I’ve realized:

  • Writing literally anything else does not stress me out like writing fantasy does.
  • Trying not to fall down my own nerdhole about the race of beings I’m molding is fucking hard.
  • Trying to keep the language somewhat modern feeling and hearing, without it hitting a tin note is fucking hard.
  • I have a LOT invested in doing this story to my own standards and I’m kind of fucking myself up about it.

That last thing.


I try really hard not to do this because it is a part of the type of human I am but, sometimes I put the worst type of pressure on myself as a creator. I have this vision of what I want this story to be and I keep getting frustrated because I can’t get it quite there because I am not totally sure how to get it where I want it to go. This is sort of beyond my own need to create representation and into WHY the fuck can’t I DO THIS SHIT RIGHT territory.

The latter is really an emotional kick in the heartballs because, I can’t write when I treat myself that way. Thus the story won’t be done and will not be as good as I want it to be.

I put this pressure on myself and it ain’t workin.

So I’ve decided that I will likely publish this story for free at some point and that has relieved me of some of the pressure. Y’all know I’m not ashamed of my writing fuck ups and I feel like this one might qualify. It’s not totally what I want, but I might be headed there if I let myself do what I know how to do.

Other things.

This story has a very particular soundtrack I’ve been listening to a lot of the following while working on it:

  • Opeth
  • Lacuna Coil
  • Coil
  • NIN
  • Children of Bodom
  • Down
  • Five Finger Death Punch
  • Lamb of God
  • Amon Tobin

The music has been very dark and hard while the story isn’t. That is a running thing with me. My music for my writing almost never makes complete sense. I wrote the sweetest little romantic story for my Patreon project as a bonus thing while listening to Slayer. When I listen to the Moonlight Sonata (the whole thing) I imagine writing a super violent, very graphic silent film with that as the soundtrack. Or, I’ve written some nasty nasty hardcore violent kinky smut while listening to it.

My creative process has changed so much in the last few years. After my tries at forcing super seriousness on myself, I’m getting back into play.

I’m hoping that finishing this fantasy story will help. I’m going to put in writing right now that I’m going to let myself play.

Now how about a lil bite?

We come to see where our King Nailah meets her future Queen, the cat woman called Makatza:

The King came out of the privy still buttoning her breeches, her sword clanking on her hip. “So, I looked at him dead in his Gods Damned eye and said no but I’ll sit on her-” Her ribald story came to as abrupt a halt as she did. Standing right there, one ear turning, tail swishing, was the cat woman. She stared up at the King with her enormous pumpkin colored eyes.

“You’d sit on her what your majesty?”  Her whiskers twitched. The King stammered and dropped to one knee, unfortunately her breeches were loose and several men got a good half moon. She was too rapt to feel the breeze across her crack. “I, I oh please a thousand pardons Lady Cat. I hope I haven’t offended you. May I ask, what is your name?”

The cat woman tittered and offered her hand. “I am Makatza. I might forgive you your majesty if, you feed me. If you are really nice I might let you rub my ears.” The King rose and barely got a hold of her pants before she showed everyone whether or not she really had a tattoo in a private place. She kissed the small soft, fuzzy hand. “I shall endeavor to please you. As you allow.”

I’ll get into the feline behavior I studied and how I’m making Makatza another time.



Literary Radical Vulnerability- The Author is Naked.

I’ve had a very eventful October.

Behind the scenes I’ve been doing some submitting, I got an awesome acceptance. It was a big swing for me and a fuckin home run. I’m so excited.

I’m also facilitating a horror writing thing. See details here.



I’m so excited and nervous.  I know at least four people will be there so I’m ready. My handout is about done. And I can’t wait.

One of the other things I’ve been working on is another little germ of an idea I have. I don’t want to talk about it overmuch, but I see a need and I want to figure out how to fill it in a way that is satisfying both for my soul and my bank account.

I have a tradition of reprinting my first and only zombie story I’ve ever had published. You can see it here at Medium. I was going to put it on Etsy but, yeah no.

I’m working really (really fucking hard) on letting myself have these dreams and not fall into a hole because I know my overall stats on shit I try to do. Part of that is my depression/anxiety manifesting but part of that is also the real shit of my analytics and statistics. I struggle with it.

I struggle really hard feeling like/knowing that the small ride or die support I have is rock fucking solid and then reconciling that knowing/feeling like outside support is just, steam. I get really gun shy about sharing/asking for anything because one part of me always knows it’s not gonna happen.

And please I’m not soliciting for butt pats or ego stroking.

I’m keeping it 100% with y’all.

This is the reality I live with doing what I do. It’s been the same for a long time. I spent a whole lot of time at one point studying the secrets of going viral and marketing and whatnot.

I put a lot of energy into learning those things and utilizing them.

My results weren’t great and it put me in a pretty deep depression about it to be honest. Part of me returning to submitting more in the lit world is a direct result of these experiences. I know how to navigate that rejection, I know what to expect for the most part and it doesn’t hurt.

What hurts were my attempts at drumming up clicks and likes and shares and at some point cash and failing hard enough that it cost me money and time I didn’t have. I spent a lot of time just wallowing in buyer’s remorse after paying for stuff like ecourses and informational packets and whatnot because I learned it but I’m not good at it if my results are anything to be believed.

I was really bitter about this for a lot of this year. I mean the kind of bitter that turns your stomach and makes you feel constipated. Not just bitter but also I was really disappointed in myself. I really wanted to believe that I could reclaim some bit of trailblazing AND also have it be lucrative.

In the context of say freelancing, I just couldn’t and it really fucking hurt. I really was depending on the concept and what other folks have told me that I would be able to find paid space for my voice and have a little bit of a happily ever after.

I don’t think it’s going to happen and that’s been a big dry pill to swallow. I really wanted to know that experience that so many of my friends have been having of having that success roll in and being (rightfully because I know some BOMB ass writers) in a position to pay them bills and write and everything.

Fact is, a lot of the interests I have I will not write fluffy. Beauty, fashion, style, make up blablabla. I’m getting my feet writing about that stuff and you know what? My voice is political as fuck. And that’s just me doing me.  A lot of stuff I write about, I’m just not successful in toning down my voice enough for big bucks.

I’m not famous enough for that.

*deep breath*

I’m not crying right now and that is progress.

I can accept these things as they are. I have cared myself out of the deep shame spiral about this.

All this said, I’m also experiencing some really great wins because of the reasons why I don’t make it in freelance life.

I also have something else that had I not gone through so much failure I wouldn’t have.

I have been able to ask for help, for myself and my projects.

Self Care Like A Boss lives because I told my literary partner Milcah what I need in order to work and he has worked damn hard to help me. His help has meant that I am cautiously dreaming again. I’m giving myself space to learn and work.

I mean, my other blog is where I’m figuring out my voice in fashion and beauty. Granted my voice caused me to lose a lucrative review thing but fuck it. Imma do me. Blogging is how I learned to do non fiction my way in the first place so, I’m into it.

Um, wow this went off the rails.

BUT I really was tired of trying to hold most of my feelings about what’s been happening in my career in. I don’t like that. I’m really invested in being vulnerable even when it puts me in not a great light. It’s important to me.

So that’s what it is right now.

I’ve got lots of literary pots boiling and I’m working it out.




Good News Everyone!

Oh hey you.

Been starved for some good news from your fave Indie writer?


Check out that beauty! I have a new essay in Issue 3 of Witch Craft magazine. This one is a departure for me, it is about Blackness and witchery and a rejection of White washed witchery. Go check it out here and buy the issue!

Are you in Seattle?

Do you want to see me?

You have two chances in October. First, I’ll be facilitating a little workshop thing through Minor Arcana Press. I get to host a talk and writing session on..>DUNDUNDUN HORROR MOFOS!! Even if you don’t write horror come and check it out. We’ll have a little talk, a little write, some talk and stuff. Y’all know teaching writing is on my bucketlist and this is maybe a preview as to how I want to offer classes. Come on DOWN Y’all. RSVP on facebooks.

Can’t make it to that? Stay tuned because I will be reading the next day with some amazing QTPOC. So keep your eyes peeled.

In celebration of me getting to talk/teach about horror writing, I will post a few free flash/prompt type things so y’all can get your creepy on.

I will also for Spooktober, maybe keep the etsy store open and put together something special.

Hopefully if things continue going in a nice way, there will be some new and extra surprises towards the end of the month.

Come back tomorrow for talk about the Daiyuverse and stuff.


Writing Goals.

ACTUALLY before I talk about that, I need to talk about something associated.

Being a writer as many have pointed out for ages is that being a writer is lonely AF. These days, at least for me part of being a writer in the modern world is just fucking astonishingly confounding.

For me, in particular, coming to terms with first learning the necessity of being able to be creator, marketer, publicist, etc for myself was really hard. None of these were things I included in my learning when I was a kidlet baby writer. The learning process for these things has been beyond hard for me.

Recently, I’ve had to come to terms with the fact that the entrepenurial part of being a modern writer, and being an indie writer is not something I am capable of doing successfully. I have failed that part so hard.

I’m not looking for smoke up my butt.

These are the facts. I cannot sell my own material to save my life.

Had this been ten years ago, I’d be sobbing right now and so angry with myself I’d not be able to breath.

Enter, Milcah.

We met via the Rumpus. Awww LOOK at that baby face they have. My friend Antonia Crane was doing this series of interviews and I love her work and then there was -that- interview and thus a literary love affair was begun. Since then we have written each other long love letters, I wrote a story for their naked cam work, we made SCLAB book baby together.

The other thing is that Milcah has done something for me that I’ve been dreaming about since I was a baby potato writer- a partner who can hear me at my worst, who believes me, who when we work together fits my (omg Deadpool reference) weird curvy edges AND believes and shares part of my dreams.

Milcah has been that person.

Milcah can do so many things I just am no good at. The business parts. Our writing is different enough that when we work on things together, there’s a fluidity that runs through both of us as humans that works.

Milcah and I are a mother fucking literary power couple.

So, that said.

Because of a lot of stuff that’s happened in our long love letter exchanges and me feeling supported, seen and recognized enough to admit and not hate my failure in selling/being able to do that stuff for myself, my creative/writing bucketlist has changed and exploded.

How things are looking right now:

  1. Letting go of an attachment to baller freelancer status.
  2. Write first, sell later.
  3. Embracing my natural and established patterns of work that enable me to write the best material I can.
  4. Less stress over being the ALL the things artist.
  5. More enthusiasm to be the artist I actually am.

These have resulted so far in the following:

  • Potential to do ONE huge thing off of my personal bucket list.
  • I’ve applied for my first artist grant(I’ll talk more about that later)
  • I’ve started really working on finding my voice in talking about things like beauty, make up, fashion. Go look at my other blog. (Not toally related but earlier one of my other readers spotted a fucking pro Trump ad on my blog, if you see it PLEASE report it. I’m working on trying to be rid of it.)
  • I’ve resumed writing essays that make me bleed. Not the type where I’m struggling to balance the bleed and the sale.
  • I decided to start actively trying to get fiction published again.



So money shit is still fucked. I’m poor AF.

But, I feel okay to move on from where I was to where I want to go.

My writing lately has been on mother fucking fire.

I FEEL like I actually can be the artist I want to be.

DO you know how good that feels? Because Milcah in particular (mainly because of our baby SCLAB) has invested time and money in me and never once held that over my head as a way to force me to change, and that we are STILL both so passionate about SCLAB and that we’re working out how we can make it happen, these other things can happen.

When I was a baby potato writer, I believed that the writing life would be like it was in my Henry Miller books. I’d write shit, travel, fuck everyone and mail stuff to some editor shaped person and boom shit would be published. And I’d probably be poor, but there would be money for when I was broke and rich people being my patrons.

The version of that dream I’m living is in the shape of my real actual life. I have the kind of support system (not financial as of yet) that I need in order to be the kind of artist I wanted to be as a kidlet.

Dear Other Writers who struggle with ALL the other writing biz shit,

There is hope. If I can find a situation that is tenable and wonderful and makes good shit for my art. You can do it. It might take a long time, but it is out there.

Right now when I look at my family, my partner Uniballer whom I live with, my Wifey Cookie whom I see when I can and Milcah-

Holy shit y’all.

Being that all my love is romantic on some level love, I feel like I am the warm weirdo center of the most loving big relationship. And it’s so wonderful.

Love doesn’t solve all the problems and don’t pay my bills, but, it does make life and creation so much better.

Publicly again forever thank you for being you, being tough, being loving, being my most beautiful femmeboifriend, being the artist you are and being my ride or die.

I love you Milcah.

And I love you too readers and other writers.

I’m full of hate and migraine pain but, I love you.

On My Mind

Before I get into what’s on my mind right now I have to tell y’all the most exciting thing.

My passion, my real hearts work is making a come back. Milcah and I are re-embarking on the best thing I do.

Self Care Like A Boss is coming back. We’re relaunching. We’re doing it together in a whole new way and I’m terrified and excited because this is really, REALLY important to me and what I want my life’s work to involve.

So y’all, please head on over here to check out our poll on our new merch and if you’ve got a mind to, sign up for our email newsletter. More news is coming soon, this is step 1.


I’ve got other stuff on my mind.

I started what could become a small series of essays about living in the mouth of the beast that is gentrification and my terror at being swallowed up by it. This is a subject that is constantly on my mind because I’m living it. I’m a little hesitant to write about it deeply for a few reasons:

  • Obviously given my body of work I know -how- to write personally. I’m a bit reticent about writing about this in particular. Mainly because if I do, I’ll need to do it for The Stabby maybe where I don’t have to deal with comments.
  • Emotionally it will be a lot of labor.

Okay on point 2. Here is sort of where freelancing and I disagree. I like to write first then pitch. It takes way more time and is generally a larger financial risk for me because do I spend the hours on the thing and hope I can get paid or do I try harder to pitch then write?

I find both incredibly stressful.

That stress has made me want to turn back towards the lit world. I feel more comfortable in a large way there. I know how it works. I can work the way that means I’ve got a self satisfying output, and when I’m really on that shit a fairly good acceptance/publication ratio.

That said, that also leaves me as poor if not more poor than I already am if we factor in the whole time is money thing.

That said, a lot of my non-fiction work lately has been weird and likely unpublishable anyway, so I’m mostly worried about future work or stuff I have going all ready.

This is an area of the intersection of art and commerce that I do not negotiate very well. What I want isn’t always the best for my bank accounts nor my art. Being in a position where I’m both really too poor to be doing anything for free and not wanting to have to only write saleable material is a hell of a thing.

The other thing on my mind is how difficult it has been for me to just be glad to be read. On one hand it has always been such a deep and wonderful thing for me to know that I have an audience. From the early days of having a tiny 10 person devoted readership of a long dead online journal to here, it is a miracle and wonderful to me to be read ever.

Inside that thankfulness and joy, there is also the struggle of knowing that most of the time mine is not a paying audience. Poverty strikes again. And the minute I have those feelings, I also feel terrible for feeling upset. I don’t want to feel bitter or jealous or whatever.

At the same time, I still need a new pair of pants and have bills to pay.

It’s hard to write from that place of conflict and fear and just general shitty feelings.

Real talk, the most fucked up thing about this is that having this problem/these feelings is somewhat of a personal artistic milestone. The fact that I have the belief in my work to say I should be paid and paid well for this is pretty huge. Ten years ago, I would have the smallest inkling of these feelings. They were nebulous and unformed.

Back then, I didn’t believe my work had real value other than maybe some entertainment. Not even when I had some writing jobs. Not even when on occasion lit mags gave me money.

Back then I didn’t really know how to write non-fiction of any flavor. I didn’t know that one didn’t have to be a journalist necessarily to publish non-fiction. I thought that the arty essays were strictly for “real” writers who were absolutely not me.

I felt bad about not making money writing, but didn’t feel like I deserved it.

Funny ain’t it? I mean now I know that my work has worth, but getting that proves to be fucking really hard for me.

Like, I FINALLy allow myself to view myself as an artist and legit creator.

I allow myself to understand that my work has worth.

And suck at making it work.

I am only laughing because otherwise I’ll cry.

Okay, that’s it for now. I have stuff to do and write.

Imagining the rest. Thinking about #blackspecfic

I have been scribbling away on a couple of way out of my comfort zone pieces.

In one I’ve created an origin story for a myth no one has heard before. It started out as an entire other thing, I wanted to practice finding a very particular voice to put on a narrator and as usual I started with a little character sketch to try and hear it in my head.

What’s interesting to me right now is that after reading this piece from Fireside when it came out, I’ve done a lot of looking at my body of work both published and unpublished. I’ve been looking at what interests me in terms of the new fiction I want to create.

It is all fucking speculative fiction in one way or another.

Wiki says this about speculative fiction:

Speculativefiction is a broad literary genre encompassing any fiction with supernatural, fantastical, or futuristic elements, notably science fiction, fantasy and horror. The popularity of the term is sometimes attributed to Robert Heinlein, who referenced it in 1947 in an editorial essay, although there are prior mentions of speculativefiction, or its variant “speculative literature”.

Well, yeah. That’s everything I write these days. Looking back, I can see points in my writing life where I’ve done my level best to not do spec fic. I’ve spent time trying to be straight up literary or horror or whatever.

I have found a comfortable *for me to create in* space that is both speculative and slipstream.

This is what wiki says about slipstream.

Slipstream is a kind of fantastic or non-realistic fiction that crosses conventional genre boundaries between science fiction, fantasy, and literary fiction. The term slipstream was coined by cyberpunk author Bruce Sterling in an article originally published in SF Eye #5, in July 1989.

In terms of my work, I’ve found a freedom in living in this place because I don’t feel the pressure to do any particular type of performative Blackness in my work. In these worlds that are our world and other worlds, their Blackness is not othered they just are. They can be created without me being distracted by all the other bullshit that happens when you write to represent yourself (because that’s great advice if you’re a creator) and shit gets difficult.

Okay, now that I’m thinking about what I’ve been writing and potentially getting back into submitting to places that take stuff that lands on the spec fic spectrum, and I still have some trepidation.

I’ve seen some magazines, etc. try to respond.

I don’t know how I feel about it. If I’m going to be real about it, there are probably four magazines that take the more spec fic/slipstream stuff I think I’d even have a shot at. Not necessarily because of the quality of my work, but because the Blackness in my work has just been there. It’s not part of a larger point, these are just the people who populate these worlds. And that isn’t necessarily the type of work by POC that a lot of places feature.

I want to believe that the industry has heard the call and will start getting itself right. I don’t want to spend time reformatting (because how I work visually means I always have to overhaul when I submit to genre mags because so many still only take manuscript format..that’s a whole other thing), researching, editing, etc. etc. to submit to places where, I might feel like my work would be the token nod to “diversity”.

I don’t know. I guess I’m just suspicious.

I’m suspicious of the genre industries because I feel like I can’t turn around without seeing some kind of racist fuckery. I don’t mind being aware of it, I find that important, but as a writer who will be submitting, like I don’t want to fuck with it. Sometimes I wonder if I do gain traction in any of the genre areas I like, am I going to wind up as a target of the raging puppy types?

I have a lot of complicated feelings about it.

On one hand, I have come to understand that I will not be able to sell my fiction directly to my readership. This isn’t a plea right now it’s the plain truth. That particular adventure is pretty done. It was a grand experiment, but I need to shut it down because it’s been mostly stressful and cost me money. I don’t have money to spend like that.

So what now?

I think I’m ready to get back into the swing of submitting fiction around. I have been thinking about #blackspecfic and I want to be in it. I want to be part of it. I got my hard hat and big girl boxer briefs on, I’ve got stories to tell and I’m ready.

It feels kind of nice to have that particular ambition again. I have my new and shiny submission tracking spreadsheet started up and I’ve clocked in some nice rejections already.

Aside from the failure of my indie authoring, the other thing that has drawn me back into the industry this way is that I have hope. For every racist fuckery filled comment section or twitter tantrum or attempt to sway awards, I see people fighting for the things I believe in and I can’t completely resist.

All this is a very roundabout way of saying, you could likely start seeing my name again around in magazines. And it feels good.

That’s it for now. I have been doing my author loveletters *newsletter but whatever* and this weeks is a good one. Come check it out here and subscribe if you like. New one every Saturdayish and never any spam.

Updates and whatnots.

Hello People.

Or robots.

So I’ve been a bit AWOL. I went on vacation and while I was on vacation, I had grand plans for celebrating my partner’s birthday, a day out including dinner and movie and some writing time.

Instead, I got dog shit sick AND got a bit of shit news and paid one large bill that rendered us too broke to buy a pizza for a number of days. Thus, I got very depressed as well and anxious.

Shit was not awesome.You can read more about it here, this is my author newsletter. I call it a love letter and it is a more intimate rambly type thing with the occasional announcement. I promise no spam.

The other thing that’s going on right now is I’m trying to recalibrate myself and how I’m working. I’ve been trying the method of see a call, start a thing, pitch-wait.

That ain’t working.

I’m coaxing myself back into doing things the way they were working (if not in a profitable way, but in a less soul killing type way) write the things, peruse the calls, maybe pitch, submit.

To that end I’ve got myself a few new spreadsheets. I started a new submission tracking one for both fiction/non fiction, whatever.

A maybe I’d like to pitch these ideas/write these things doc.

This is not the most profitable. However, I have to stop punching myself in the heartballs over it. I keep trying to force some seismic change in how I work and what I do and it just never fucking works out. I always wind up feeling like shit.

Y’all, I don’t know why I keep doing this to myself.

No that’s bullshit I do. Because money and poverty brain and my small financial ambitions.

Currently the reality of trying to survive and take care of my family in a rapidly gentrifying area when my income is not going up at all is so stressful. Reality is that we could very well be priced out of our home come next March and that could mean having to move another hour away from my job.

A lot of bad things are right here in my face.

That said, I’m trying very hard to trust that I will get through and be able to keep writing the shit I want. I want to trust that the work I’ve done on myself around these issues won’t keep me from achieving what I want.

Now that my panic has passed a little bit. And I’ve allowed myself to cry and be bitter and be angry I am poor- I’m back to a bit of calm.

I’m struggling to balance my artiness with my need to, you know live and whatnots. I’m trying.

Now I’m off to work on Patreon stuff.

If y’all could be so kind, feel free to check out my Etsy because I’m gong to be taking everything down in a week or so. Also I’ve got my teespring shop up and running so check that out and get u a poetry sticker.

And again (I may say it too often) seriously if you know folks who might be into what I’m up to, please share my links. I know a lot of y’all are poor like me and getting more eyes on my stuff matters pretty heavily.

Thanks for coming along y’all.

(I’ll be x-posting this to medium.)