One of the things I am discovering I’m terrible at is being my own student.
Over the years I’ve developed a particular style of learning in order to teach myself how to write about things I want to write about. For years, I blogged about a lot of personal shit and then I figured out how I like to write a personal essay.
I will read the fuck out of a type of thing, write hot garbage about the thing, rewrite, read more rinse repeat until I feel like I’ve learned about it enough to confidently write the thing the way I want to write it.
This has mostly worked out very well.
However, I am an impatient ass asshole. I have been taking notes. I have pages in my Pash Planner dedicated to my bucketlist of writing related shit. Most of my bucketlist writing shits are things I’m heavily interested in and also heavily invested in writing about them my way. I want to find ways to use my lil voice to talk about subjects/things I traditionally might think are over my head.
I am really excited but, I want to be done with the learning. I want to stop writing hot shit about these things and get to the good stuff.
It is very frustrating to me.
And I have to laugh a little, when I was a baby potato trying to learn stuff I was the same way. I’d have baby potato rage because okay good example.
When I was in the fifth grade, I tried to read Romeo and Juliet. I couldn’t and it made me so angry I studied Willy Shakes for a FULL year teaching myself the syntax, the vocabulary etc. I did it out of spite and then out of love.
I’m at the point where at least one of the bucketlist things has been tentatively begun. A memoir flavored story about how JT Leroy and that whole thing fucked me up, a bit of a reader memoir, a bit of me questioning why it is that POC especially Black folks are never allowed a certain flavor of confessional work without being expected to finish it out with a connection to the world/issue and some teaching.
I’ve started it five fucking times and I think this last start was probably the best one. I have to sit back and laugh a little. I always ask, WHY AM I LIKE THIS….
This is how ambition functions in me and how my human competition streak goes. I’m not fighting y’all. I’m not trying to outrun y’all. I want to satisfy myself. And I am the hardest person to deal with.
That said, I am enjoying how it’s going.
I think that’s all I have energy for right now. I’m fighting some intense nausea and just not barfing is pretty much taking all my energy.
If you aren’t down with cash and want to do something material. Here’s my amazon list. I have some stuff I need but most of it is for funsies stuff.
Now the job thing.
I have a full time job still. I make just barely enough to cover bills if we eat poorly etc. I was considering (again) a part time job but, just recently I’ve worked 6 of 7 days in a row a few times and I am paying for it heavily. I just physically can’t anymore and there’s that.
Also, real real talk. I really want a chance to have some stuff just taken care of so I’m not spending my little savings or just having a chance to feel secure enough in that we have a bunch of shit we need so I can continue to work as i have been.
And that’s it. That’s what I need. Like my Gofundme says, my lil family just needs a leg up.
I’m dreaming of my ultimate literary event. My event. So also things might get NSFW.
An assemblage of grown ass folks because I don’t write kids lit. First the house lights come down and there’s a stage and a pole. A THICC stripper comes out, her act starts with this song. Thicc means: A descriptor meant to designate a woman with a shapely figure and is typically somewhat chubby. They often will have an hourglass or pear shaped body with emphasis on the shape and size of their buttocks and thighs. It’s my party, I want fat strippers.
Start with some slow grind.
Maybe if I was dressed right we could do a little duet to something like.
And I would run it more like a burlesque show. No live tipping just some rapt attention for some amazing stripping.
Then a little break and a reader. Possibly someone who writes erotica or something else super sexy. Then we’d need to bring things up a bit and I would have my own personal twerk team. I’d really need a multi gender, multi sized twerk team in all black and everybody in booty shorts. And I would need a lot of my people who love twerking as much as I do to be up front to cheer.
Post twerk team, I would need to have another break. Maybe for a little twerk contest? Poets twerk. Readers twerk. All butts all skills welcome.
We’d wind down the stripping and twerking and I’d read. I’d read some poems and maybe some porn. I’d do an ask me anything. Or maybe I’d read from the work being launched and tell a story. I tell funny stories.
Actually wait, I think after twerking there’d be an intermission. Time for folks to pee, smoke, grab a nibble or something to drink or medicate.
THEN I’d read and storytime.
After that, I’d post my chunky ass at a table and sign shit. I’d likely stay put because mingling at these events never fails to freak my whole shit out.
And I’d have the most fabulous witchy art hoe outfit. Titties out. Face beat for the Gods. Very glam, a bit creepy.
I mean………..if I’m gonna fantasize.
If the world was my oyster I’d have some live music too. I’d invite artists I love and have them have tables of stuff to buy or trade. I’d invite zinesters and sex workers. Have a big ole bazaar of awesome and sexy.
I’d ask friends with patreons and things who couldn’t be there to send me business cards to tuck into swag bags.
I wouldn’t want it to be only about me but about us.
That’s how I dream about the literary life I want.
The literary life I imagined is full of sexy beauty and me having the ability to support my community by providing events or just space to say, hey you like my shit, check out this shit here.
I had a tiny unplanned hiatus that was mainly due to stress and then a nearly week long cluster headache attack.
SO now that I’m all back first up an announcement.
I made a little splash re-entry into freelancing. I made my debut at Wear Your Voice Magazine. My first listicle and the first time I’ve written about race in a while. Predictably, a lot of White folks are mad as fuck at me. I’ve gotten some weirdly violent dick pics, I was informed by a friend that I got put on a list of dangerous racists.
Yeah okay, y’all do you.
Working with WYV is pretty great. They have been on my bucketlist of pubs for a while and I’ve yet again hit literary fuck it and I wrote the listicle and sat on it for a while and then voila. Opportunity came a callin.
Now that I’m doing a wee bit of freelancing let’s talk about some shit.
There have been more than a few people writing about the big house publishers ghosting, ripping them off for both money and ideas etc and y’all….
Looking at (this includes private info shared with me that I have the ok to talk about but not in specifics) the dates of a lot of what’s finally being outed, during my darkest moments of feeling like the biggest asshole impostor ever, this was happening to other writers.
Me being me, I believed a lot of my failure was down to simply how much I suck. Of COURSE a publication would take my pitch and give it to someone better, of COURSE when I did land something, the editor disappeared and further emails went unanswered.
While I was busy burying myself in anxiety and depression over my failed career as a freelancer, I saw people who truly have a habit of writing and publishing trash. Not fun this is silly bus time reading but gross, racist, ableist, just ALL the terrible things trash. I watched them post those bylines proudly and then have complete meltdowns and tantrums if they got pushback.
I saw a lot of the same people pull that, then go out into the world to crow about how bullied they were for their work.
And then there was me, wanting to expand my little horizons, write some stuff.
Y’all this shit fucked me up so bad. I still am feeling some fallout and I think of how I felt then and y’all, it wasn’t JUST ME.
So if you’re in that place, it’s not just you. Yes, sometimes shit happens but the real point here is that sometimes there is bigger shit happening.
That’s all for now.
Be cool to each other and coming soon I’m gonna have a big ole nerdy post and a few more announcements.
This post is brought to you by me having to navigate the Default and Correctness of Whiteness in my literary life this week.
A few things.
I’m very low on spoons. I will not link to any of the trash I discuss, you’ll have to google first. Also if you don’t know what I mean by default Whiteness, or Whiteness as a concept and destructive construct, do not comment and be mad. Either google or go watch this puppy video cause shit is about to get real.
There are a few articles going around that are anti-sensitivity reader and I’ve been involved with three very distinct (as in zero overlap) conversations about it with White people who have all made the same assertions that sensitivity editors/readers are:
Looking to profiteer off of censorship.
Will change the voice of the original author.
Don’t know what they are doing.
Are “forcing” identity politics into writing.
Are actively trying to as a whole rook poor White people out of money basically.
AGAIN for the cheap seats. Some things are censorship other things are not. Things that are not censorship*:
Being told no.
Being critiqued and dare say I fucking DRAGGED and publicly read for filth due to writing, editing or publishing fuckshit.
Being told that you’ve written, said, produced or published something actively harmful.
Being called an asshole (taken from a real comment to me by someone RE: the Paris Review post/s I made way back).
Not being given primacy in writing about a thing.
These are things that come up constantly in my lit life. Most of the time cries of censorship begin when White authors feel threatened by POC talking to them about their use of their Whiteness when it is a problem.
By that I mean things like, saying hey just because you can write about something, doesn’t automatically make yours the voice. This is what I was talking about in this entry. And in saying it, I spent months being harassed and often the first “criticism” was that I a writer am pro censorship because I said they could have used the opportunity to feature a Black Poet during such a time of historic Black action.
Here’s the thing. I am against censorship. Censorship as enacted by religious concerns and the government.
Publishing is not magic, it doesn’t happen by vote and publishing companies are not the government. Nobody is entitled to publishing. Nobody is entitled to be the primary voice on an issue just because they can talk.
I go on at length about this because over the past, let me be generous and say five years specifically, it is only White people who apparently lose all ability to think critically and if I a Black person, dare to correct or instruct them, or even just talk about Weaponized Whiteness (and by extension using Whiteness as both Correctness and the Default) suddenly, it is censorship. That is not how censorship works.
Now in the context of a sensitivity reader, the conversations I was a part as if the very idea that they, Paragons of Correct Whiteness they were, could ever fuck up writing something.
Okay look. I fully believe that you and everyone else in the world can write what the fuck they want, when the fuck they want.
I also believe that is you say, write a children’s book that portrays a slave child as a happy little worker yeah, you deserve to get dragged.
Now, what amuses and frustrates me in these things is the assurance that oozes from the assertions of how terrible “identity politics” are and how, if only those people could see, Whitey Whitepants writer didn’t mean to write a racist polemic that would give Lovecraft a boner, GOSH.
Of COURSE a White writer or a straight writer etc who is trying to create or delve into the world of marginalized peoples is going to likely not always do a bang up job. No wait let me put it into a different context.
If you are a nerd like me, you probably see stuff in TV or movies are like, WHO THE FUCK GREENLIT THIS SHIT, THAT IS NOT HOW THAT WORKS…
That’s reasonable right? It’s reasonable to expect that something presented as a professional thing, was researched beyond wiki.
So why would it be any different than writers who are writing say Black folks in their stories to check in with real live Black people to see if they are doing things wrong?
If your voice is so fragile as an author, it can’t withstand something like:
Hey Whitey Whitepants writer, here in chapter 4 you have X character seeming to have an “urban” meltdown calling the one Black character homie over and over again and doing their MTV showed me what Negroes be doin schtick and it is not great for these reasons:
That is how it works. This is a professional service, that is not designed to censor or ruin your precious work. It’s to help you uncenter yourself and your experience and have a moment to connect with your readership on a far deeper level.
The other problem I have is this.
Aside from perambulating around for about 40 years in a Black Queer body, I have been studying, writing about, talking about, dealing with racism for about that long. Depending on who I’m talking to, sometimes (as y’all know if you read me regularly) I use very academic language, sometimes I don’t. I code switch like a mother fucker.
That said, for the last two weeks or so here’s how those conversations have gone. Without rancor on my part.
Person posts link to shitty article about the terrors of Sensitivity readers/editors or posts a link to a blog post by a semi famous White lady writer: OMG They are going to censor us and ruin our work! How terrible! We can’t stand for this.
Me: That is not what sensitivity readers/editors are for. They do (insert examples of stuff they do) nobody -has to use them- dude you’re fine.
Random other White people: fall all over each other to “correct” me (not that they use or have acted as sensitivity readers), explain to me how having this option is automatically censorship, how it is an attempt to co-opt or otherwise fool innocent White writers into being SUPER PC.
Me: ………..no it is just like asking an expert in a field you’re writing in.
Them: NO IT IS NOT.
The problem isn’t the arguments. The problem is that even in instances where I am/have shared my work/thoughts on these things, Whiteness is always given the immediate trust that they are correct. Even when they are loudly proclaiming something that is dead ass wrong.
Then, regardless of what I say or how it is said, it takes another White person to come along and occasionally repeat what I’ve said verbatim and then, OH WOW I NEVER THOUGHT OF IT THAT WAY.
I’ve spoken with MANY poc about this. 90% of the time, we are thought to be wrong. People say things like: knee jerk, bullying, mean, trying to “turn” someone PC, that we’re silencing, pro-censorship.
If the people speaking up happen to be Black women, the language is carefully not overtly racist but, the impression is always either that Black women are mean and aggressive or liars or otherwise are the perpetrators of violence even when what’s actually happened is that folks have been given some high level major education on anti-Blackness.
Intent and impact are vastly different and White folks, men especially if your first instinct is to “prove” someone wrong, maybe it’s time to examine that. More so if part of your remarks are to say that you don’t actually know about the thing and don’t use it.
Now, I could have posted this in the spaces I was talking about but it is easier for me to leave them. As I’ve said many times in the last year, y’all I have written about this shit so fucking much. And you know what the actual worst thing is?
It’s not the Default and Correct Whiteness.
It is the fact that it doesn’t matter how I talk about these things, because I am Black and use words, I’m put into the ANGRY NEGRO corner and then White folks who don’t like what I have to say can be like, oh well you’re so angry I can’t listen to this/take it in.
Tone policed to fucking death.
And I’m not mad. It’s painful.
It hurts to be dismissed out of hand because White is Right.
It hurts because writing and literature have been my driving passions since I read a book about a pregnant dog when I was 3 years old. It is my blood and my bones. It gets me through bullshit ass days at my dayjob. It has led me to meeting some of the most important and most wonderful people I’ve ever met in my life. It has led me to my chosen family and to a place in my actual soul that feels free. It is my passion and my companion and the work of my heart and I love it so much.
And my love of literature and writing is the only reason why I keep talking about these things. I don’t try to change shit I don’t care about.
And yet, all this passion and there have been moments where I’ve literally said hey, person you are causing me harm right now or I’ve said that I’m hurt and you know what?
I’m not a White woman so White folks are relentless. Harm to me doesn’t exist because I’m always perceived as angry, aggressive and scary.
And after so many years of trying so hard to be a good literary citizen and use my knowledge about these issues to help- I’m just kinda done.
This entry wouldn’t have happened if I didn’t have a migraine and need to keep my brain busy at work and I needed to get out some hurt without yelling at folks.
The take is this.
When used as the only measure of calm, competency Whiteness will fail. Not only will it fail but in the context of the literary community, will drive folks out and if that’s the point hurrah! If that’s not the intended consequence, then think about how you interact with POC before you decide they are wrong about the thing you don’t even know about.
*There are times when these behaviors are rooted in the spirit of censorship and are actual censorship as in done by the government but we’ll talk about that later.
I’ve been sitting on some news for a while now and I am so excited to announce that my first poetry book has been born and will be available for purchase at the solstice.
I’m so pleased to be published by Lark Books. Come see the page here,
I don’t know what kind of fairy poet magic I expected but writing this book was so hard.
Also these poems are different from the work I’ve been producing for the last couple of years. They are actually intensely personal and not the purposefully intimate seeming but about other Femmes and women work I’ve been doing. I’m going to be writing about the work and the process a bit.
I talk about gender, love, my body, my fears. Everything.
There are so many things I don’t know how to do surrounding books I’m probably going to whine a lot.
I’m scared shitless but yanno…imma roll with it.
OH I have officially relaunched my Self Care Like a Boss Blog. You can read here on wordpress or at tumblr.
I’m teaching myself how to write about literature. I’ve got that Jt Leroy related thing going and I’ve got a response piece going about something I saw on Lithub.
I’m not publishing a whole lot but I am working on creating some shit that I’ve wanted to do for a long time.
Brand new stuff is up at Patreon and I’ll have a post about what is going to happen in the Daiyuverse.
To answer an age old question, often I get my ideas from tidbits of things.
I tend to refer to it in my head as my fly on the wall inspo.
I get a lot of inspiration from tiny pieces of things, day to day happenings on facebook friends statuses, tidbits of conversations I overhear when I am commuting, the sound of an accent on a particular word or a voice. I notice and remember the hitch in how someone walks.
I tend to get specific inspiration from particular voices, I hear them as the narrators/characters as I write them. It’s almost like I have an audiobook while I’m writing the thing. The voice often just starts yammering and I need to write to keep up.
The other thing that happens is a full story just craps itself in my brain. It is like, what if this, this and this and then this, GO GO GO GO GO GOGO.
When I was a young potato writer, a lot of the time I thought that was the end of the game. Voice(s) poop out the story, I catch as much as I can of it on paper and then it is done. Now, I realize that often the initial poo is just the framework. It is the uh, well, we know I’ll murder a metaphor so let’s go with continuing the poo theme.
The first rush of getting the story down is like having gas. First is the bubble guts and then, PFFFFFFFFFFT.
So initially it is super exciting and feels amazing. I mean, is there anything more satisfying in life than having your belly blowing up or having bubble guts and FINALLY, whoosh. You fart. You feel your belly deflate. Maybe it makes a hilarious noise, maybe it is just such a relief you want to lay down. That is how that first expression of the big idea.
Okay, I’ll stop with the poop.
There is a physical component to this particular type of inspiration for me. I feel pressure in my body to get it out (like a fart), then the relief of getting that part done and then often I feel like I HAVE to get to the tinkering, the rewrites and the remolding of the story until it is what it wants to be.
I feel the pressure in my belly (like right now I’m constipated as hell) and while I work on these stories, I squirm around, trying to get into that magical comfortable place where I can find relief. The act of writing becomes a mix of the intellectual and the physical. I ride the space between bodily doings and brain doings.
It isn’t really a dignified state. I feel very animal and out of control in this state. Whatever alien voice or thing that the story needs to be, takes me over and I obsess about it until it is what it tells me it wants to be.
This is sort of how I used to imagine it felt to be taken by the muse. In all the flowery, purple prose I read as a kidlet, this is what I thought it meant. Except not as gassy or poopy, I thought it would be more sexy.
It’s not sexy.
It is pleasurable in the very base sense of the filthy body and the noisy brain doing something together for once. Co operating rather than my brain playing forty seven radio stations while my feet go numb because I ignore that I have a body.
I store so much in my body, when the moment happens that I can move some of that onto the page, I feel like I’ve done something right.