A Real Round Up

HEY.

So I’ve decided to do a whole ass second but better year end wrap up for my writing shits this year.

First check this shit out in another window. I minor tweet stormed about my work this year.

All righty then.

I realized as I was doing those tweets that, this year has been pretty lit.

I was feeling pretty down about the failures of the year. None of my side hustles really worked out.

I made less than 50$ with both Etsy and medium and that really sucks. I mean, it hurts me on so many levels.

That said.

I wrote like a mother fucker and wrote exactly what the fuck I wanted when I wanted. I finally fully divested myself from trying to be a freelance super earner. Like there are literally two editors I will pitch to and dassit.

I learned that finally, I can say I’m okay with being unable to financially sustain my creative life. It sucks but I can’t force folks to do shit.

All I can do is do what I do.

I was really feeling like, all this, all the angst and crying and stress just made me the worst.

I dunno y’all. I may not be able to like, pay bills with the words but fuck I write like a mother fucker regardless.

So what is happening in 2019?

I’m making moves.

Patreon stuff is happening, I’ve got a lot of plans.

I’ve also realized that part of what has freed me to write the way I have been this year is that, I’ve been learning to accept some things that are real for me.

  1. My obscurity frees me. I have a job that basically sort of pays the bills. So, I don’t have to eat shit when I freelance. I can say no and I have learned to say no. I had a piece that was commissioned and was a pretty good payday. After realizing that the editor and I were quite far apart on what we wanted. I let it go and put it on Medium.
  2. Speaking of Medium. The other edge of my obscurity is that, regardless of what folks say, 80% of my audience refuses to give my work material support. Folks don’t share, don’t clap on medium etc etc. I don’t know why. Some folks tell me to trust my community to come through and, well frankly most of the time they don’t. It hurts but whatever.
  3. I AM going to write the shit anyway. I’ve tried to stop but nah son.
  4. I am allowed to work this out however the fuck I need to.

Those things have led me into some stuff I’m VERY excited about and will share with y’all soon.

Overall 2018 beat the dog shit out of me. I wrote some of my best shit and it was lowkey sorta okay.

NOW. Over at medium behind the paywall but this is the friend link. A lesson on how I learned to write non-fiction.

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WIPS, brains n things.

Oh HAY BOO HAY.

Few bits of biz first.

Current submissions:

1 languishing poetry submission. I’m pretty sure is a no.

2 Ghosted pitches so also probs nopes.

1 short fiction sub out.

What else?

Y’all remember me yammering about writing classes? WELP I’ve launched it on Patreon and here is how it is workin. If you are a patron, you get it exclusively for a month and then I post it up on Etsy. The first one about writing horror is available now. AND if you drop it in your cart, leave and check your etsy email there’s a fatass coupon too so you can get a few bits from the shop.

Also I finally finished (behind the medum paywall. Feel free to clap etc, help me buy a coffee) my little thing about how my book Gasoline Heart was born. it isn’t quite what I wanted but works.

I also got interviewed about some witch shit by one of my fave folks MIsha over at Patheos. If you are into witch shit, you should Misha .

I’ve got some some other behind the paywall stuff at Medium. Last month with I think about 24 pieces I made $9.85.

What else?

Yers truly has been writing like a mother fucker and playing with new to me shit.

First new to me, I’m dabbling in some New England Folk Horror without a focus on white folks. Harder than it seems. Here is a bite:

She was always like that to me. Spooky. The same way seeing a single deer alone in the morning is spooky. The way she would stand so still, it was easy to not quite see her. Even her posture in those moments was, strangely graceful. Her back was straight, heels planted on the floor and there would be a moment where her body would tilt forward slightly and her head would tilt upwards as if being pulled on a string.  I always figured it for one of those bodily tics we all have and that, was what I loved about her so much.

I’ve got a major plan with this piece and I’m fucking with established lore like I do. I’m enjoying putting it together.

Next thing.

Yesterday, I also apparently started a werewolf story. I dunno what it wants to be. Aside from maybe kinda porny.

“And you got me chicken? I’ll get a pitcher of beer since you’re being all traditional with the gifts and whatnot. If you sniff my butt I’ll lay you out.”

Unable to resist he gave her his best puppy eyes.

“Maybe later?”

She cackled, mouth wide open her big black eyes twinkling.

“Don’t write checks your ass can’t cash Sue. “

Regardless of the seriousness of the problem he’d sought her out to help, it felt good to have that kind of easy banter with another wolf. Once the chicken arrived Latisha ordered the promised pitcher and they both tucked napkins into their collars and went to work in companionable quiet.

What am I reading?

I happen to be reading two books, very different from each other and both blurbed by one of my fave people, Mr. Jerry Stahl. 

First up I was delighted to get an Arc of Junkie Love: A Story of Recovery and Redemption by Joe Clifford. If you’ve been here a while y’all know I fuckin love me some Joe. It has a new forward and it is really a gorgeous book. I’m almost done with read #2 so y’all will get a full review soon.

Coyote Songs by Gabino Iglesias. Y’all. This mother fucker right here. So I reviewed his other book a while back. AND THEN he had the nerve to release a new book. I’m about a quarter of the way in and y’all…goddamn. Just buy it.

What else is happenin?

I’m trying not to be essaying right now because my brainmeat only wants to do the shit that hurts and I’m just not in the mood to bleed. At least not that kind of blood yanno?

If you are doing Nanowrimo or nano anything. GO GO GO GO.

Whatever you’re up to.

Wreck that shit y’alls!

When I am Too Much

Recently, I had an essay published in one of my bucketlist magazines. See it here at The Offing. I have a story to tell y’all about publishing and what happens when you are in fact too much.

That essay came about because I was contacted by an editor I am familiar with and they asked if I could do a piece about race and gender. The first version of this essay was more dry. It lacked flavor to me and I felt like I was trying to engage too many things when this story was very enclosed to me. The original version had lukewarm feedback and the editor wanted more.

I did this version and to me this is it. I’ve been experimenting with trying to place more literary styled essays in not lit mags specifically. A successful example of that is here at Wear Your Voice.

Editor #1 had reservations. Some of their feedback:

  • I lead with fear of death as a Black Man
  • I refer to my masculine gender expression with a personified phrase “the boy”.

However, the most tap danced around feedback came down to the fact that this work doesn’t engage with gender in the way that they wanted. They wanted Sassy Black Queen and got Terrified Black Femme. The suggested edits stripped specific mention of Blackness to turn it into a #metoo piece without the connective tissue.

A story that is not mine.

I decided not to go further with that editor because the story they wanted was a pastel version of my story with a rainbow on it and not a memory and meditation on a real fear in my life.

I shopped the piece as it appears at The Offing around for a while. Most responses were lukewarm and boiled down to, yes this but not like this.

Much of the feedback was tentative and trying very hard not to say, this is way too Black while saying, this is way too Black. One editor said that they didn’t think it was broad enough. For a memoir based issue of a magazine. I read broad as relatable to White folks and I noped out. The feedback was never about the quality of the piece. Every editor said the work was solid, it was always related to my expression of Gender, Blackness and fear.

The problem here is this. If you are not a marginalized person and you are seeking work from marginalized people, insisting on “broader relatability” backfires. You won’t get authentic work. You won’t get the best work. If you can’t engage with things that aren’t strictly uplift, either mention it up front or don’t seek the work.

This is the same problem I talked about in this entry,  When in the Wear Your Voice piece I talk about being denied humanity, this is what I am talking about. I am talking about the idea that work from marginalized people must be palatable to whiteness is to deny us our humanity. When folks insist that, my story about gender expression and sexual harassment end on a more chipper note, that is a denial of what actually happened.

To demand this shiny version of someone, the happy ending, the creator is turned into a 2d version of themselves and that is erasure and it feels shitty. You can’t ask for the realness of talking about identity, and then say, no not like that. It just don’t work.

Back to the piece at the Offing. Chanda specifically told me they loved it and it made me cry. I’d put it on Etsy for a minute because y’all know that’s how I do. If I can’t sell a piece to a magazine I’ll do that. Or put it on Medium etc. Or tuck it away for later. Here’s the thing.

My experience with gender expression isn’t theirs and yet, they still enjoyed the work. I’ve heard from readers who are White cis folks who felt something and enjoyed the work. Some folks who read the piece thinking it would just be a nice read because they are not Black Femmes and found some part of themselves in the work.

And it is, what it is.

A note for editors.

If you want to feature or highlight marginalized folks, take what they give you. Don’t try and plasticize it or tone it down or make it nice for non marginalized folks to read. Be uncomfortable. Be willing to let your readership be uncomfortable because, isn’t that what art is.

That’s it for now.

 

Hustleverse and Art and Shit.

OOOKAY y’alls.

I’m on my hustle and we got THINGS HAPPENIN.

Let’s start with some evil empire (amazon) links.

An older book of mine I put together as part of my beginning idea of showing how the sausage is made is Wayward WordsI transcribed things out my notebooks, some flash pieces and poems. I talked a bit about them. It’s a little thing you can read on your Kindle app and enjoy for a little bit.

Next up, I was in Thuglit Issue #5 and that was a fave story I’ve done. I’ve really enjoyed running around in crime fiction and the whole issue is pretty solid.

Want something a little racier? I was in an issue of Infernal Ink with some pyro crime erotica. Get U SOME!

Full disclosure about my amazon links. I get a few cents on clicks and buys. They discontinued their store program so I will be making a page of book recs with said links. Yes I know terrible however, bitches gotta eat.

Now some more direct stuff.

These links will give me more cash in hand.

I’ve reopened my Etsy Store. I’ve included a brand new Etsy exclusive essay. I’ve reopened Etsy to get ready to list some handmade shawls and I’m pretty excited.

I’m also still fundraising. We’ve got almost 1400$ all in for lingering move related bills and staying alive. I hate it but, we gotta stay alive.

If you’re a paid Medium member. I put a new thing behind the paywall. Claps are free y’all know. Also, if you’re paid and like what I’m doing, throw some claps on other pieces.

I’ve also got some free stuff happening.

Read about why, yes the fuck I will unfriend over politics. And appropriate to this post, a little thing about Making a Difference.

Something that I believe in is, helping folks on a small scale. We can’t all be the viral helpers and sometimes, the best route is to just help folks stay alive.

Can’t buy? Totally okay. Share links. Tell your friends that you have a homie in need who has a variety of ways to provide support.

Show up.

If you don’t want to do that stuff, I got tip jars too.

https://www.paypal.me/WordsnThings

https://cash.me/$weebeasty

https://venmo.com/Shannon-Barber-5

Later this week, I’ll be posting up some new free to read stuff about writing. Follow me at Medium for that. Want a loveletter to your creative heart? Subscribe here and get a tiny vacation weekly from the trashfire world.

Updates, Books and readings.

First up let’s talk about the books I’ve been reading. Yes Evil Empire affiliate links ahead.

BOOKS Y’ALLS!

Children of Blood and Bone (Legacy of Orisha) by Tomi Adeyemi. AHEM. Y’all. I will do a full dorktastic review after a reread but um. OKAY> AHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHSHIT SON. If I’m gonna be fancy, this is the Diasporic Dream of Baby Potato me. If I’d had this book at a crucial point in my youth, I probably wouldn’t have given up all magical type literature for more than a decade. A complaint I’ve seen around is that it isn’t a complex plot etc and I think that is misguided. This is a book intended for teen readers so, adult epic fantasy lovers probably won’t like it. That said, I love this book. The magical systems, the world building, the evolution of the characters AND I HAPPEN TO KNOW THE NEXT ONE IS ON DECK. A really wonderful read, if you’re Black and know smol Black humans who like magic, get on this.

Zero Saints by Gabino Iglesias. I’m on my reread of this book so I can do a review and y’all. I think someone gave me a copy of this book and said, read this you’ll like it. I do like it. Gabino has a gift for coming out swinging and the pace is not fast but it feels relentless. It is dark and violent and there is grace in his characters. If you like it dark and violent and pretty, read it. Bigger review soonish. ALSO check out his work in a fave magazine of mine, Shotgun Honey.

Other book news I’m hype about. Y’all know I love me some Joe Clifford and I happen to know that his book Junkie Love has a fancy new print coming up in Sept with a whole new forward by another of my beloved writers Jerry Stahl WHO also blurbed Gabino’s book. I’m really hype for that.

What’s good lit world?

I’ve been reading some great stuff. I’ve made a habit of checking tweeter in the morning and y’alls I know so many fucking great writers.

Go read this by Kristin Chang in the Offing. It is so beautiful and just…I made a velociraptor noise while reading because WOW.

My friend Chiwan Choi wrote this and holy fuck it is beautiful. If you meet him, go to one of his events or just see him on the street you should buy him some cookies immediately.

Podcaster and all round bad ass homie Nia Levy King is running a fundraiser and please check it out. Donate, share it. These books are so important. This is vital work.

Y’all know that one of the few places I feel good about freelancing at is Wear Your Voice Magazine. My last piece there is one of the best I’ve written and they need help. Indie media is so important so again, check out their Patreon and if you can’t support, please for real y’all share the links.

Let me take a break here to say again.

It doesn’t matter if you can’t contribute financially. SHARE THE GODDAMN LINKS. It is free. It takes two seconds and if you knoiw 2k more people, or different people than I know, that is more eyes, more eyes means more opportunities for support so get on it.

What have I been doing?

WELL I have been a busy wee beast. I poeted at an event last night and it was really nice. I read at an event called Margin Shift and Y’ALLS! A thing happened for the first time. TWO PEOPLE there had seen me read previously. And said so. Also I talked to other writers/people about my work and stuff and didn’t pee myself or faint.

I sold some books, folks enjoyed the reading a lot. Overall it was on the way better end of reading in Seattle. I’ll write more about that later.

I had this wee witch poem published over at Yes, Poetry.

I’ve been using Medium as a bit of a clearing house of sorts for stuff I have in drafts, stuff living on my phone. Funnily enough. Now that I’m not doing any paid content, both engagement and readership has gone up. In March/April when I wasn’t really posting I had about 400 reads. Posting a few times a month, my reads are in the thousands.

So it holds up my point that a LOT OF PEOPLE including those who already pay for Medium don’t give a fuck about tossing me a few coins.

Sooo new stuff over there. Including a lil screed on how yes the fuck I will unfriend people over politics and I ain’t ashamed.

OH also earlier in the week I posted up a little essayish thing and free bite of the Daiyuverse. Go visit Bayou Cane, meet the St. Pierre family and get you some free shit to read today.

Last thing, as a way to encourage myself to do more digital arts, I opened a red bubble shop with a few prints. More are coming.

OH ONE MORE THING. Come sign up for my loveletter. It was a newsletter but mostly I talk about being a creative person, struggles, fun shit, tell you how much I love you. No spams. All ham. Loveletter link was busted and is all fixed up.

Dassit for now.

 

Hustlin updates and stuffs.

So I know it has seemed bleak but, here’s the thing. When I figure out how to work, I fuckin work.

The method I’ve adopted for now is write like a mother fucker, accept some freelance, submit to literary shits, get rejected rinse repeat.

My other hustle is my Patreon. Let’s talk about that a little bit. I don’t make much at Patreon, a couple of hundred bucks that pays for some bills. It is one of my favorite things. Some of y’all are new so let’s talk bout what I’m doing there. I’m writing an ongoing urban fantasy very queer Black n brown ongoing story. I’m calling each novella length chunk a Cycle and my goal is to just write in this world (a magical Seattle and currently a few other spots) and play.

When I talk about the Daiyuverse this is what I’m talking about. It is where I go to play. I am creating a large magical system, I am connecting POC cultural and diasporic spiritual magics. This is not vaguely European fairyland. It is absolutely Queer and not a White centered world and I just love it. Part of what makes it fun for me is that the curtain is pulled all the way back. We’re into cycle 2 and I’ve left in my own editorial remarks, mistakes, do overs.

This is a naked first draft. This is (to paraphrase Jerry Stahl again) me naked and fucked up at 4 in the morning writing and it is wonderful. I don’t ask for a lot, I don’t do tiered anything. Regardless of how much you are in for, you get usually a little letter and about 3k words of the verse. Sometimes I toss in extras, WIPs, essays or whatever. Once life is settled I’m thinking about doing some Patron only videos about writing or stuff.

It is great.

Now let’s talk freelance. I’ve just made my re-entry into freelance and I am so proud of the piece. You can read it here at Wear Your Voice. CW for racism and some hard shit. One of the reasons freelancing can be the shits for me is that, writing easy stuff is not really my lane. My fluff gets deep regardless of subject matter. I want to write about fuckin eyeliner, I talk about Western Beauty standard bullshit.

As emotionally taxing as my non fiction can be for me to do, it is just who I am as a writer and human. It me. I fought it but, it is just who I am. The same day the above piece went live, I wrote this lil thingy on Medium because some folks were bothering me. I spat it out and kept it pushing which is how I work.

I toss little jokes in with my seriousness because I’m a goofy mother fucker.

One of the things that all the marketing advice for writers in the world won’t give you is that sweetness of connecting with your audience. I know who y’all are and I fucking love the shit out of you. Yes, I do talk about how/when/why my audience doesn’t give a shit but, I know a lot of you do and that’s deeply meaningful to me.

WHen stuff like this column by a fave magical being I know named Misha went live, I read it and got teary eyed at the bus stop because when people tell me that something I said touched them, the fucked up hustling isn’t so fucked up. I’m still poor and not in the best of health but fuck y’all, I do feel the love.

While there has been a pattern of fuckery in my literary world, there is a bigger pattern of when my words do what I want them to and work themselves into another persons heart, that makes it better. When (this happened a while back) a shy young Queer person on the bus, whispers did you write at XOJane about self care to me and when I say yes they light up and say thank you, that is the realest shit. When I get dms saying, yo that poem was fucking fire.

I think a lot of my life has lead me to this point. I’ve made the decision not to play the recommended game. Fuck that game. I’m not going to compromise, I’m not going to shut up, I’m not going to filter myself so I can make money.

I will still freak out about money because I’m poor. I will sometimes write lengthy shit about how much I just want to sell some fuckin stickers or whatever. That said, I can hold that and hold space for doing what the fuck I want to do and writing what the fuck I want to write, because that is who I am.

It me y’all.

My dreams may not be lucrative and won’t buy me new make up but, I believe they will fulfill my soul and that my friends is what I want.

That’s all for now. I love y’all.

OH yeah new loveletter later today about trusting your process and taking a leap. Come sign up. No spams. All love for your hams.

AYYYYYY we OUT HERE in 2018

Ahem.

Hi y’all. I hope the new year finds you upright and feeling not too terrible.

What’s good 2018?

So I’ve been in the background scheming and plotting and writing.

I’ve been making a lot of plans and working up a lot of decisions.

One of the things I’m thinking very hard about a couple of things.

Do I want to divest from a lot of traditional/mainstream lit world shit? The decision has been weighing heavily on my mind for months.

Honestly, 90% of literary pubs just do not cater to, serve or even on teh face of just reading them want shit to do with me. I feel like I’ve fought for the literary community so hard, I have done so much labor and wept and bled and had anxiety attacks and now, I just don’t know.

I’m very torn between my very deep and real love for the literary community at large and the fact that often after interactions,  I feel beat up.

For a while I honestly just thought, maybe my work just sucks now. I suck. I mean, I got fucking doxxed for doing the work in terms of decolonizing and whatnot a writing space. I fall down these terrible shame holes when I check the analytics on damn near anything I do.

I have a BIG ass essay about this and all my real feels but really why do I do this to myself?

I originally had planned on actively seeking out more mainstream lit (remember I DO include freelance work in my saying lit world) world opportunities. And then I was like, why am I trying to put myself back into the same position I was in before? Do I really want to tell myself lies on the level that yes I can do me and STILL get the opportunities?

Nah.

I did some heavy re-evaluating of what I want out of my creative life and here’s where I’ve landed for now.

Truths:

  • I will likely never be a super high dollar writer.
  • I have a sizeable distrust of a LOT of people in the industry.
  • I cannot work with people I don’t trust. I have to do that in the WHOLE rest of my fucking life so, I don’t want to do that with my creative work.
  • The other choices I’m making in my life in order to improve the quality of my lived life can apply to my work.
  • I have worked with some very amazing editors in the past couple of years, all of whom welcome me back with open arms and hearts and who appreciate me as I am.

So what am I gonna do?

  • Write like the mother fucker I am.
  • Continue to write what moves me and not what’s gonna make me money.
  • Continue using Medium as a small income stream.
  • Be a bit less shy about pitching the editors I trust.
  • Continue being adventurous with what I’m doing.

That’s all the fuck I need to do.

All I have to do, is the shit I know I am good at.

The rest, will happen. I have to trust myself and my process and my Weird Voice and my heart.

That’s what is going down.

Soon, I’ll be coming back to nerd real hard again about some stuff. So happy new year babes.

I love y’all.