Some Business and Updates

Let’s consider this one of my writer financials updates.

Buckle up.

First a rule. None of what I say today is me digging for compliments or pity. I’m not just working off of feelings there is a LOT of data I’ve been studying.

I.

My Etsy shop is now closed. In 2017 it has cost me some money and I’ve not sold anything.

II.

I’m most likely not going to be offering indie stuff for sale for a while.

Stuff that is upcoming:

I’m going to be redsigning my professional author site and http://www.shannon-writes.net and my other domain (still under construction) will be pointed there.

I am deciding whether or not to offer limited sensitivity readings.

What else?

I currently have an unexpected 100$ bill to pay. Not having my little shops is both reassuring (no fees for Etsy, no stats worries about Teespring) and infuriating at the same time.

Sometime in the future I am considering offering other writing professional services that aren’t line editing. Being that my dayjob doesn’t look like I’m gonna get a cost of living increase anytime soon, I gotta rethink my hustles.

I am also still really into the idea of accessible (as in non jargony/non expensive) downloadable writing classes.

I don’t know.

I feel like *and my ride or die folks pls don’t take offense here* I need to find the mythical larger audience/folks who have money and would like to spend some.

Officially okay look y’all.

When I talk about my financials like this, it is not an invitation to send me lengthy messages across various platforms about how, if only I’d kept my shit open another week or so you’d do whatever.

Really, just don’t blow smoke up my ass about it. I’m not completely mad about the lack of material support cause, I know how the world works especially for Black Femmes like myself. We tend to have a harder time with funding and that’s to be expected. What makes me rage out, is the words of support or when I ask for help promise it and when I actually need it, crickets.

Please just don’t. For me it’s worse than not being able to fund my fundraisers etc.

I feel like I HAVE to say this all the time but, it takes two seconds to share a link somewhere. Where? Doesn’t matter. Don’t tell me you’re about it and then wah wah, you’re not.

Don’t piss on my feet and tell me it’s raining,

So that’s the status of things. I’m already working on my new site and she pretty as fuck. I’m in the process of deciding if I want to do the services thing or speaking or whatever.

This brought to you by the rant below I had last week just before my lil vacation. Stay tuned for more news homies.

 

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Wherein the Poet dreams of the most lit release party.

 

There will be a lot of video links here.

I’m dreaming of my ultimate literary event. My event. So also things might get NSFW.

Picture it:

An assemblage of grown ass folks because I don’t write kids lit. First the house lights come down and there’s a stage and a pole. A THICC stripper comes out, her act starts with this song. Thicc means: A descriptor meant to designate a woman with a shapely figure and is typically somewhat chubby.  They often will have an hourglass or pear shaped body with emphasis on the shape and size of their buttocks and thighs. It’s my party, I want fat strippers.

Start with some slow grind.

Maybe if I was dressed right we could do a little duet to something like.

And I would run it more like a burlesque show. No live tipping just some rapt attention for some amazing stripping.

Then a little break and a reader. Possibly someone who writes erotica or something else super sexy. Then we’d need to bring things up a bit and I would have my own personal twerk team. I’d really need a multi gender, multi sized twerk team in all black and everybody in booty shorts. And I would need a lot of my people who love twerking as much as I do to be up front to cheer.

Post twerk team, I would need to have another break. Maybe for a little twerk contest? Poets twerk. Readers twerk. All butts all skills welcome.

We’d wind down the stripping and twerking and I’d read. I’d read some poems and maybe some porn. I’d do an ask me anything. Or maybe I’d read from the work being launched and tell a story. I tell funny stories.

Actually wait, I think after twerking there’d be an intermission. Time for folks to pee, smoke, grab a nibble or something to drink or medicate.

THEN I’d read and storytime.

After that, I’d post my chunky ass at a table and sign shit. I’d likely stay put because mingling at these events never fails to freak my whole shit out.

And I’d have the most fabulous witchy art hoe outfit. Titties out. Face beat for the Gods. Very glam, a bit creepy.

I mean………..if I’m gonna fantasize.

If the world was my oyster I’d have some live music too. I’d invite artists I love and have them have tables of stuff to buy or trade. I’d invite zinesters and sex workers. Have a big ole bazaar of awesome and sexy.

I’d ask friends with patreons and things who couldn’t be there to send me business cards to tuck into swag bags.

I wouldn’t want it to be only about me but about us.

That’s how I dream about the literary life I want.

The literary life I imagined is full of sexy beauty and me having the ability to support my community by providing events or just space to say, hey you like my shit, check out this shit here.

That’s where my brain is at right now.

News!!

I’ve been sitting on some news for a while now and I am so excited to announce that my first poetry book has been born and will be available for purchase at the solstice.

I’m so pleased to be published by Lark Books. Come see the page here, 

poetry
[image description: black text on a white background: Sometimes I wonder if my genders are calluses against the rub of excellence expected from me every goddamn day]
Y’all.

I don’t know what kind of fairy poet magic I expected but writing this book was so hard.

Also these poems are different from the work I’ve been producing for the last couple of years. They are actually intensely personal and not the purposefully intimate seeming but about other Femmes and women work I’ve been doing. I’m going to be writing about the work and the process a bit.

I talk about gender, love, my body, my fears. Everything.

There are so many things I don’t know how to do surrounding books I’m probably going to whine a lot.

I’m scared shitless but yanno…imma roll with it.

What else?

OH I have officially relaunched my Self Care Like a Boss Blog. You can read here on wordpress or at tumblr.

I’m teaching myself how to write about literature. I’ve got that Jt Leroy related thing going and I’ve got a response piece going about something I saw on Lithub.

I’m not publishing a whole lot but I am working on creating some shit that I’ve wanted to do for a long time.

Brand new stuff is up at Patreon and I’ll have a post about what is going to happen in the Daiyuverse.

So that’s what’s up.

More soon.

The Soundtrack of the DaiyuVerse

If you’ve been here for a minute y’all know that I have a Patreon where I’m posting an in progress urban fantasy novella that I refer to as the Daiyuverse. How about a lil bite? No context.

“That sounds perfect. Assure her it is in no way permanent. We just want to see how her body responds to less rigorous magical training. Other than that, she is a perfectly healthy young woman.”

Later that night, both doctors, Daiyu, Josh and Papa sat around a table at Papa’s house with chicken and sides from Ezell’s spread across the table, music played in the background and they all laughed and talked long into the night. At one point while they were each on their third serving Josh sat back to look at them, he felt his vision widen out until he was both looking at them from his eyes and looking down from above from his sight.

He watched Daiyu, her dimples flashing as she snatched food off of Papa’s plate. It made him feel better, maybe his visions were off. Just as he felt himself ready to settle back into his body, the scene slowed down. Stretched into a long moment that felt like it was happening somewhere between this world and the one his sight resided in.

Daiyu looked up, he could tell it was not her physical eyes. The face that wasn’t her face smiled at him, her mouth spread across her face until it nearly split her head. It was the sort of thing she’d done when she first learned to throw a glamour. Josh smiled.

“Stop showing off Little Bird.”

The eyes, he could no longer think of them as her eyes, changed. It wasn’t overt, it was something about the glimmer of them that made him stop smiling. The voice that came out of her mouth was not her own. It was a voice he’d heard distantly before, a slow speech with an accent he couldn’t quite place.

“Do be careful looking my boy. I will see you ever so soon. Tirrah, Black Wing.”

The scene cleared and he blinked, Daiyu was waving a drumstick in his face.

“Earth to Josh, you going to eat this?”

He shook off the dread and snatched the chicken out of her hand.

“You know I don’t hit girls but I will fight you if you eat more of my chicken.”

Daiyu jumped up, menacing him. He narrowed his eyes, showed his teeth.

“I’m going to drink your soda.”

He put down his chicken and jumped up, flexing and growling. With a howl they took off running, Daiyu flying tackled Josh and the two of them went tumbling out of the room. Papa shook his head slowly.

“See, that’s why you can’t take them anywhere. They’re like puppies. I’m surprised they don’t piss on the floor.”

Both doctors smiled like a proud auntie and uncle. Dr. Linda stole the drumstick off of Josh’s plate.

“I have eight older brothers. Abandoned plates are fair game “

The three adults split up the leftover food on the kids plates laughing.

One of the things that is central to how this story is shaping up is my soundtrack. I have a very deep connection to my soundtracks at any given moment. I need specific sounds to either elevate/deal with my moods, help me stay awake, write, poop do life.

The writing of the Daiyuverse reaches deep into my literarily and stylistic influences. I’ve been heavily influenced by Dune for this work. I have been working on creating these magical traditions while not erasing the identities of the folks in the story. I’m drawing on the huge amount of magical shit I’ve read from fantasy books/dictionaries to various cultural traditions.

So let’s talk some tracks.

Let me show you some of the inside of my brainmeats.

Billy Paul- Me and Mrs Jones. Y’all, I mean.. like. Just listen to it.

Stevie Wonder- Superstitious OBVIOUSLy.

Funkadelic- Maggot Brain

William Elliott Whitmore- Mutiny

Concrete Blonde- God is A Bullet

Nick Cave & the Bad Seeds – Murder Ballads

I also use this big ass Spotify playlist.

I’ve always had to have a soundtrack to stuff I’m doing. Occasionally they are very specific to the work. I will probably make some more Daiyuverse specific playlists. Things that go with my loose time periods, themes.

I was thinking about this in a convo with another writer about the spaces we work in. I don’t have anywhere private to work. I don’t have an office. I have to work in public, on the bus, at the dayjob. Get it in where I can fit it in. I think for me, getting my writing playlists going is that brain cue that it is time to work.

My headphones are still my office.

And it’s time to get to work.

Good News Everyone!

Oh hey you.

Been starved for some good news from your fave Indie writer?

FIRST up!

Check out that beauty! I have a new essay in Issue 3 of Witch Craft magazine. This one is a departure for me, it is about Blackness and witchery and a rejection of White washed witchery. Go check it out here and buy the issue!

Are you in Seattle?

Do you want to see me?

You have two chances in October. First, I’ll be facilitating a little workshop thing through Minor Arcana Press. I get to host a talk and writing session on..>DUNDUNDUN HORROR MOFOS!! Even if you don’t write horror come and check it out. We’ll have a little talk, a little write, some talk and stuff. Y’all know teaching writing is on my bucketlist and this is maybe a preview as to how I want to offer classes. Come on DOWN Y’all. RSVP on facebooks.

Can’t make it to that? Stay tuned because I will be reading the next day with some amazing QTPOC. So keep your eyes peeled.

In celebration of me getting to talk/teach about horror writing, I will post a few free flash/prompt type things so y’all can get your creepy on.

I will also for Spooktober, maybe keep the etsy store open and put together something special.

Hopefully if things continue going in a nice way, there will be some new and extra surprises towards the end of the month.

Come back tomorrow for talk about the Daiyuverse and stuff.

 

Writing Goals.

ACTUALLY before I talk about that, I need to talk about something associated.

Being a writer as many have pointed out for ages is that being a writer is lonely AF. These days, at least for me part of being a writer in the modern world is just fucking astonishingly confounding.

For me, in particular, coming to terms with first learning the necessity of being able to be creator, marketer, publicist, etc for myself was really hard. None of these were things I included in my learning when I was a kidlet baby writer. The learning process for these things has been beyond hard for me.

Recently, I’ve had to come to terms with the fact that the entrepenurial part of being a modern writer, and being an indie writer is not something I am capable of doing successfully. I have failed that part so hard.

I’m not looking for smoke up my butt.

These are the facts. I cannot sell my own material to save my life.

Had this been ten years ago, I’d be sobbing right now and so angry with myself I’d not be able to breath.

Enter, Milcah.

We met via the Rumpus. Awww LOOK at that baby face they have. My friend Antonia Crane was doing this series of interviews and I love her work and then there was -that- interview and thus a literary love affair was begun. Since then we have written each other long love letters, I wrote a story for their naked cam work, we made SCLAB book baby together.

The other thing is that Milcah has done something for me that I’ve been dreaming about since I was a baby potato writer- a partner who can hear me at my worst, who believes me, who when we work together fits my (omg Deadpool reference) weird curvy edges AND believes and shares part of my dreams.

Milcah has been that person.

Milcah can do so many things I just am no good at. The business parts. Our writing is different enough that when we work on things together, there’s a fluidity that runs through both of us as humans that works.

Milcah and I are a mother fucking literary power couple.

So, that said.

Because of a lot of stuff that’s happened in our long love letter exchanges and me feeling supported, seen and recognized enough to admit and not hate my failure in selling/being able to do that stuff for myself, my creative/writing bucketlist has changed and exploded.

How things are looking right now:

  1. Letting go of an attachment to baller freelancer status.
  2. Write first, sell later.
  3. Embracing my natural and established patterns of work that enable me to write the best material I can.
  4. Less stress over being the ALL the things artist.
  5. More enthusiasm to be the artist I actually am.

These have resulted so far in the following:

  • Potential to do ONE huge thing off of my personal bucket list.
  • I’ve applied for my first artist grant(I’ll talk more about that later)
  • I’ve started really working on finding my voice in talking about things like beauty, make up, fashion. Go look at my other blog. (Not toally related but earlier one of my other readers spotted a fucking pro Trump ad on my blog, if you see it PLEASE report it. I’m working on trying to be rid of it.)
  • I’ve resumed writing essays that make me bleed. Not the type where I’m struggling to balance the bleed and the sale.
  • I decided to start actively trying to get fiction published again.

Y’all.

Y’ALL.

So money shit is still fucked. I’m poor AF.

But, I feel okay to move on from where I was to where I want to go.

My writing lately has been on mother fucking fire.

I FEEL like I actually can be the artist I want to be.

DO you know how good that feels? Because Milcah in particular (mainly because of our baby SCLAB) has invested time and money in me and never once held that over my head as a way to force me to change, and that we are STILL both so passionate about SCLAB and that we’re working out how we can make it happen, these other things can happen.

When I was a baby potato writer, I believed that the writing life would be like it was in my Henry Miller books. I’d write shit, travel, fuck everyone and mail stuff to some editor shaped person and boom shit would be published. And I’d probably be poor, but there would be money for when I was broke and rich people being my patrons.

The version of that dream I’m living is in the shape of my real actual life. I have the kind of support system (not financial as of yet) that I need in order to be the kind of artist I wanted to be as a kidlet.

Dear Other Writers who struggle with ALL the other writing biz shit,

There is hope. If I can find a situation that is tenable and wonderful and makes good shit for my art. You can do it. It might take a long time, but it is out there.

Right now when I look at my family, my partner Uniballer whom I live with, my Wifey Cookie whom I see when I can and Milcah-

Holy shit y’all.

Being that all my love is romantic on some level love, I feel like I am the warm weirdo center of the most loving big relationship. And it’s so wonderful.

Love doesn’t solve all the problems and don’t pay my bills, but, it does make life and creation so much better.

Publicly again forever thank you for being you, being tough, being loving, being my most beautiful femmeboifriend, being the artist you are and being my ride or die.

I love you Milcah.

And I love you too readers and other writers.

I’m full of hate and migraine pain but, I love you.

On My Mind

Before I get into what’s on my mind right now I have to tell y’all the most exciting thing.

My passion, my real hearts work is making a come back. Milcah and I are re-embarking on the best thing I do.

Self Care Like A Boss is coming back. We’re relaunching. We’re doing it together in a whole new way and I’m terrified and excited because this is really, REALLY important to me and what I want my life’s work to involve.

So y’all, please head on over here to check out our poll on our new merch and if you’ve got a mind to, sign up for our email newsletter. More news is coming soon, this is step 1.

Next.

I’ve got other stuff on my mind.

I started what could become a small series of essays about living in the mouth of the beast that is gentrification and my terror at being swallowed up by it. This is a subject that is constantly on my mind because I’m living it. I’m a little hesitant to write about it deeply for a few reasons:

  • Obviously given my body of work I know -how- to write personally. I’m a bit reticent about writing about this in particular. Mainly because if I do, I’ll need to do it for The Stabby maybe where I don’t have to deal with comments.
  • Emotionally it will be a lot of labor.

Okay on point 2. Here is sort of where freelancing and I disagree. I like to write first then pitch. It takes way more time and is generally a larger financial risk for me because do I spend the hours on the thing and hope I can get paid or do I try harder to pitch then write?

I find both incredibly stressful.

That stress has made me want to turn back towards the lit world. I feel more comfortable in a large way there. I know how it works. I can work the way that means I’ve got a self satisfying output, and when I’m really on that shit a fairly good acceptance/publication ratio.

That said, that also leaves me as poor if not more poor than I already am if we factor in the whole time is money thing.

That said, a lot of my non-fiction work lately has been weird and likely unpublishable anyway, so I’m mostly worried about future work or stuff I have going all ready.

This is an area of the intersection of art and commerce that I do not negotiate very well. What I want isn’t always the best for my bank accounts nor my art. Being in a position where I’m both really too poor to be doing anything for free and not wanting to have to only write saleable material is a hell of a thing.

The other thing on my mind is how difficult it has been for me to just be glad to be read. On one hand it has always been such a deep and wonderful thing for me to know that I have an audience. From the early days of having a tiny 10 person devoted readership of a long dead online journal to here, it is a miracle and wonderful to me to be read ever.

Inside that thankfulness and joy, there is also the struggle of knowing that most of the time mine is not a paying audience. Poverty strikes again. And the minute I have those feelings, I also feel terrible for feeling upset. I don’t want to feel bitter or jealous or whatever.

At the same time, I still need a new pair of pants and have bills to pay.

It’s hard to write from that place of conflict and fear and just general shitty feelings.

Real talk, the most fucked up thing about this is that having this problem/these feelings is somewhat of a personal artistic milestone. The fact that I have the belief in my work to say I should be paid and paid well for this is pretty huge. Ten years ago, I would have the smallest inkling of these feelings. They were nebulous and unformed.

Back then, I didn’t believe my work had real value other than maybe some entertainment. Not even when I had some writing jobs. Not even when on occasion lit mags gave me money.

Back then I didn’t really know how to write non-fiction of any flavor. I didn’t know that one didn’t have to be a journalist necessarily to publish non-fiction. I thought that the arty essays were strictly for “real” writers who were absolutely not me.

I felt bad about not making money writing, but didn’t feel like I deserved it.

Funny ain’t it? I mean now I know that my work has worth, but getting that proves to be fucking really hard for me.

Like, I FINALLy allow myself to view myself as an artist and legit creator.

I allow myself to understand that my work has worth.

And suck at making it work.

I am only laughing because otherwise I’ll cry.

Okay, that’s it for now. I have stuff to do and write.