I saw the movie Ma recently and (spoilers in link) and I have some thots. Buckle up. SPOILERS bro.
On the surface of it, Ma is a pretty okay movie. Good amount of suspense, interesting main antagonist but, by the time they started to “reveal” Ma’s backstory it was really too late. This was obviously not written by a Black person. I checked and sure enough, nope.
From the start, this had potential had someone Black written it. Here we have Sue Anne, one of obviously very few Black folks in this town and we (we as in probably mostly Black folks lezbehonest) know some shit happened. When you are one of few Black folks in any very white place, shit is gonna go down.
Perfect set up for a psychological thriller where you Sue Anne get your revenge by killing the kids of the folks who fucked with you. However, this is where #ownvoices is so important, in spite of how magnificent and menacing Octavia was in this role, the lack of providing us even glimpses via flashback, nightmares, something left the later mentions of stuff having happened empty to me.
In the end, regardless of the performances (I also really loved Juliette Lewis playing a grown person) there is a disconnect in this film. I could tell very quickly this was not a Black story. From wiki, this is the problem:
He read Scotty Landes’ script of the film, which Blumhouse Productions had bought the day before. Although the original draft was written with a white woman in the title role, Taylor immediately thought about Spencer. He went out to the hall, called Spencer, and asked her if she would like to be in a horror film; without reading the script, Spencer boarded the project.
The issue is that, you can’t just plug Blackness into any story. You can’t always just say NO BUT MAKE THEM BLACK and have that make the Blackness in the media you’re creating work. To put a finer point on it, if you’re going to bring in that racism and misogynoir into the story, the men who wrote it have no clue about how those things could make a monster like Sue Anne and for me it fell flat.
This is where I would say the solution is sensitivity readers/writers. I think Blumhouse really missed a great chance to look at a script and say, we need Black folks on this to make this story better. If you want to:
“I want to do something really fucked up.”
Do the damn work.
This is why #ownvoices is so important. This film could have been so much better. Deeper. Richer. A more terrifying experience.
Overall, it was ok. I’ll probably watch it again for Octavia’s work alone but, really if you’re gonna make a Black ass horror story, consult some Black people.
If you’re gonna use a racism trope, use it. Don’t drop it in cause you’ve switched your main antagonist to be a Black person. This is an instance where I want to cheer but I feel like, y’all coulda done more. Blumhouse has the cash. Do the work. Take a chance on doing something great and fucked up.
In terms of horror fiction, this is a great set up. It is rich territory to explore and we need more of it. Just, not done by a team of white folks.
I think that’s all for now. Coming soon, book reviews!!
First up next week, beloved Jen Pastiloff then beloved Gabino Iglesias. WOO!