Nerdy Nerdy- Use of the Chorus and stuff.

HI babes. Let’s pretend it is all fine and talk. We’re doin Real fuckin Hot Nerd Shit bitch.

SO first thing also some awesome announcements.

An anthology I’m in titled Would But Time Await is coming out later this year from Haverhill House. This was my first try at Folk Horror and I am absolutely amazed to be in an anthology with so much talent. For real it is a hella good book.

It is extra good news because that submission was my first in the horror world in about five years. Also I worked so damn hard on that piece because I had a vision and the editors even when a few things didn’t make sense, they worked to understand and leave my story. I’m so happy.

Second good news. I wrote a SUPER difficult for me because I was experimenting thing. It is a chonky light sf, post apocalyptic, Black, Queer lil sploosh of horror fucking love story. A LOVE STORY. A bite and a link.

“What were you saying?” Khalid/a was smiling, flashing a gold tooth. “Are you serious about babies?” They nodded, still smiling. “We have a lot of savings and I may or may not have found us a place. You wanna see?” Viola’s face lit up from within, she made her cute squealy noises until Khalid/a sat up and reached for one of their tablets. Khalid/a opened the photo collection they’d been hiding in a subfolder of junk. Viola’s little intake of vibrational breath tickled against their arm.

We’ll nerd about that later on.

NOW let’s get down on the Chorus.

My first exposure to the Chorus was when I read Oedipus Rex when I was in the 7th grade. I’d just finished reading King Lear for the first time and I wanted a new challenge. Gosh I loved Greek lit at that age. I still love the idea of the Greek tragedy. I love to play with it in varying ways. WHOA if you’ve been with me for a while, don’t stare at me like that. I don’t hate the WHOLE literary canon gosh.

Okay so why am I using the device of the Chorus in an urban fantasy novel? It is weird but hear me out.

One of the things I love in a movie is knowing a lot as I’m in the position of knowing a lot of shit voyuer. Not quite an omniscient POV but more like, the level of knowing that means you cringe and yell at the TV, DON’T GO IN THERE. I really want the usefulness of say a VO but not that.

Now how about a look at the Chorus as they are in this iteration of the Daiyuverse?

Many of the witches of the world we’re sure are gasping in horror. How dare we malign the great mother. How dare we show such a lack of sufficient awe for the green and sorrowful wickedness of nature themselves. That is fine. We know. Many of us held our own Goddesses so close. We carried their effigies on our backs, we laid ourselves open from crotch to bowels for her.

We understand. We respect and love the holiest of things and we also love it enough to see it for what it is. Magic is nature and nature is, was and will end up being the most wonderful thing in our many worlds. We know. Many of us still find ourselves prostrate in prayer or washing the feet of prostitutes forever because our faith remains and holds to the immense power of our mother and our father. 

Mather? Fomther? We have no right word. It doesn’t matter.

We digress. As always.

What matters is that Tombstone made as much sense as Babylon and Lothal the Kingdom of Kush and at the feet of Shaka and cuddled to the breast of Nefertiti, in Xi’an, Lothal and many other places. Our point is the beginning of anything is a filthy terrible business and riddled with garbage from the end, that is okay. It is as things must be.

Now, within the text I’m left justifying their text because I want it to be very apparent how not of the same world the rest of the characters are. The Chorus is a character of themselves, they are a kind of meandering will tell you stuff but in their own good time sort of character.

In terms of methodology and fitting this into the structure here is how things are looking right now. I have notes about this to keep myself on task.

Chapters include individual character stuff, I’m not doing first person in this go round to help keep things on task for myself.

Within the chapters we get to see/deal with various characters. I was gonna do character headings for that but I hated it so no.

I’m using some epistolary type elements in the text as well. Journal entries, some prayers, prophecy and center justifying those.

The chorus has their own heading and as you see justification.

In my fantasies, an audioversion of this book would be a full cast production. Full cast but not rewritten as a teleplay. Read full cast. I don’t even know if that specifically is a thing but it is the thing I’d want.

Interestingly, I had used the Chorus in the original iteration of the Daiyuverse. I thought it was not appropriate for urban fantasy because…reasons?

Fuck that.

I was talking to another writer yesterday and my mantra in terms of writing is, do what the fuck you want. Try it.

I am going to -try- to do a promised to friends vid about this but really. I keep saying, if you wanna try something try it. It might suck. That’s okay if it sucks. It might be awesome. If you are self isolating, this is a perfect time to let yourself play.

Now, another lil bite from the ‘verse and a link.

A few drops in his glass, she watched it swirl into the amber liquid before turning to offer his drink. “Come on Possum, drink up big boy.” She fed him the drink, holding his head gently and letting the liquid pour between his lips. His eyelids fell to half-mast and she murmured, “yes, that’s it. Let Mama take care of you. That’s right, drink it all up Possum.” 

She’d had his cards and aura read long before she’d let him see the goodies. He was ripe to be controlled, easily influenced and in dire need of a fine, heftily bodied lovermother. Once the drink was down his gullet she let him lean his head on her breast and snake his arms around her hips, he pressed his cheek to her belly and hummed as content as any milk drunk babe at a breast. 

Ida Marie normally wouldn’t allow any man, such intimacies but, she liked her Possum. Really, Howard as a sweet man. So lost and unhappy with himself but at the same time so full of tender exuberant love. She stroked his head. “Ida Marie, my sweet. You are a balm for my soul. Oh, how I love you.” The tincture she’d dropped into his drink was getting him right where she needed him.

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Some Craft Notes from the Daiyuverse.

Hello friend.

In case you don’t know what the title references let’s talk about that. The Daiyuverse is the patreon based project I’ve been doing for the last couple of years.

TL:DR it is an ongoing novel/lla about a Black queer magical girl named Daiyu. It is urban fantasy that takes place in Seattle, down the west coast etc.

What I’m doing is wanting to show how the sausage is made. One of the things I could never grasp as a writer was the how books are born. We don’t get to see Stephen Kings (aside from twitter) fuck ups. For 1$+ I’m giving a new whole ass story thing and you get a front row seat to how it happens.

That means, readers get to read my all caps freak outs, notes to self, parts I hate all of it. Unedited and raw.

Now you got the basics. For a while I did what I call cycles. I have this undying love of a big world to write in and instead of doing a traditional novella as planned, I called them Cycles. I was really wanting to create a sort of not quite linked short stories but things you could read out of order and the story would still be awesome.

In Cycle 1 I was working off of quite literally a finished Nanowrimo project with the same characters and my original characters for my cast of main characters. I didn’t know what I was doing.

I got upset with what I was doing and scrapped Cycle 1 and started Cycle 2. I was playing a lot with the order of things, the POVs and a lot of stuff and last month well, I decided Cycle 2 was also finito.

SO Last month on Patreon I announced and posted that we’re doing a whole ass real book. WHOA.

I’m using cycles 1 & 2 as well as very old stuff I wrote related to it for research material.

Now one of the best parts about doing Patreon for me as a creator has been getting to play. Through my attempts at freelance and some other stuff, the Daiyuverse has been what I do to unwind. It is the writer at play. It is a real life look at how I create and how I make stories. How I make mythos.

Now the most exciting part of this iteration of the verse is that, it starts out in fucking Tombstone AZ in the 1800s. I had notes from last year about how I wanted to use that location and some other stuff I’d taken out. So WE STARTIN OVER.

An excerpt:

In town as Nathan was being welcomed into the Emryss household, a high yellow beauty woman was escorted off the 1 PM stagecoach, the man waiting for her took his hat off and everyone saw the smitten idiot grin. “Ida, my Ida you made it. I’m so happy.” She allowed him to take her gloved hand and kiss it, she felt the weight of eyes on them and when she turned her head to meet the gaze of a frowning priss in an ugly blue dress she smiled, wide and sunny as all outdoors. 

“Hello my love.” Her raspy little baby voice sent a pure chill down the man’s spine. She was just as perfect as she’d been when he found her in New Orleans and fell head over heels in love. From her bright tignon to her big black doe eyes she was just, everything he remembered and more. “Ida, I’ve got the room you requested and if you’ll just follow me, we’ll get you settled.” 

Ida Marie Rufus walked with her back straight and her head up, she felt the looks and met each with cool ease. The man at her elbow continued to yammer about her room, the mines, the wild nights she only paid half attention, the man was a means to her arrival, and he’d served most of his purpose. They passed a bustling brothel and she could feel the spellwork, they slowed, and she smiled at a doe eyed black-haired beauty leaning against a pillar.

“Hi pretty.” The woman had a drawl and her carmine lips promised sins Ida might have been tempted by had she not had work to do. She smiled back and nodded, “afternoon ma’am.” The look that passed between them had recognition and knowledge, hustlers know hustlers and witches know witches. The man immediately had the idea he’d take Ida to the saloon later, he’d heard things about women like her, especially the ones from New Orleans and the doves in Tombstone had just as wild a reputation.

That is from the beginning. I also brought back the use of the chorusdevice from the original. I’ve always loved that part of Greek tragedy and in this ‘verse have wanted to make them their own character because I want the reader to know most of everything. It might not be clear but I’m imagining folks reading and just yelling at the story, OMG NO DON’T.

Another thing I’ve used the Daiyuverse for is experimentation. Play. I’ve used the universe as a backdrop for other stories. For instance I wrote a Daiyu story called The Beloved of Colel Cab. A queer teen romance story. My first and so far only.

See me read it here:

Or since the audio is low read it here. 

And I’ve also used Daiyu and a set of characters created by a friend to explore a more bad witch, Lovecraft influenced horror series over at Wattpad. There are four parts so far to Deacon and Daiyu- Adventures in the Daiyuverse. Those stories are absolutly grown folks biz.

So let’s talk about what I’m doing with Daiyu now. Starting the real deal novel I decided I wanted to set the stage. It is magical, brown, queer and my goal is to really set the stage for the next part of the adventure. I’m planning on this portion lasting about a quarter of the book so the reader, (omg that’s YOU) has this kind of broad view of how shit got started.

I’m working off of the original magical theory and questions I had.

What if, magic is all over? What if, some POC got together to preserve their ancestral magics and learn how to magically defend themselves from bad things? What if, there is every “cycle” (for our purposes a cycle is not a measure of number of years but of who is a living person in the world) there are some people who can do a kind of magic that is either (cliche) world saving or world ending?

What do you do?

What if that witch is one of your kids?

How does magic work? etc etc.

I’ve been so excited about it, I’ve almost got a FULL thing about how magic in the Daiyuverse works and how I came up with it. That will be a Patreon extra in May. I will also be offering up a spreadsheet of the cast of characters for Patrons.

I’ll probably be adding more Daiyu related stories around.

So that’s the big announcement. Feel free to go check it out. Some of y’all might be saying BUT SHANNON what to we actually get?

For 1$+ per month (I only have one tier I am VERY committed to keeping this as financially accessible as I can) you get everything I post at patreon. Generally it is at the very least 3k+ words or so of the story and a letter. Some months I may post extras. I don’t have a schedule for this because frankly my readership there was not into it and I don’t want it to suck for folks.

So go check it out. Share it with friends who like hella Black, hella Queer magic. And maybe weird western stories.

thanks babes!